Journey, The Cover Image

Journey, The: Treble Chorus, Orchestra Accompaniment, Conductor Score (EDWIN F KALMUS)

$80.00 USD
$80.00 USD
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Journey, The Cover Image
Journey, The: Treble Chorus, Orchestra Accompaniment, Conductor Score (EDWIN F KALMUS)

Journey, The: Treble Chorus, Orchestra Accompaniment, Conductor Score (EDWIN F KALMUS)

By Chris Hazell/ Text by Chris Hazell

Item: 36-A840301
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Description
THE JOURNEY was commissioned by the Hertfordshire County Music Service for their gala concert at Royal Albert Hall in London on July 8th, 1995. The original idea of a musical visit to various places gradually transformed itself to become different aspects on the theme of going somewhere. At first glance, some of the titles may not seem to have much to do with the subject (and this impression may remain!), but if you will imagine you are on a train, travelling somewhere - anywhere - then a sort of logic for these titles will emerge as you imagine all you see out of the window. Movements: 1. Time to Go (And we've only just got here); 2. Motorway Cones; 3. Nature; 4. Spuds; 5. Cathedrals; 6. Railways; 7. Noise Pollution; 8. The River; 9. Sewage; 10. Blackpool; 11. Where Do We Go from Here? Instrumentation: 2.2.2.2: 2ASax: 2.2.1.0: Timp.Perc(2-3).Drumset: Pno.Gtr.BsGtr: Str (9.8.7.6.5 in set): Children's Choir.

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Additional Details
Series: Kalmus Choral Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810536-3
ISBN13: 979-889-810-5365
UPC: 605258817808
SKU: 36-A840301
Instrumentation: 2.2.2.2: 2ASax: 2.2.1.0: Timp.Perc(2-3).Drumset: Pno.Gtr.BsGtr: Str (9.8.7.6.5 in set): Children's Choir

More about this title

Why we love this

The Journey succeeds because it takes a seemingly whimsical premise—looking out a train window—and builds a coherent dramatic arc across eleven movements without sacrificing musical sophistication. The orchestration and children's choir create moments of genuine tenderness alongside satirical wit, giving your ensemble real emotional material to inhabit rather than surface charm.

What to expect

The Journey balances playfulness with genuine reflection. Motorway cones and spuds sit alongside cathedrals and rivers, creating a collage of the mundane and the majestic that younger singers connect to immediately. The orchestration is colorful without being fussy, and the children's voices bring clarity and directness to moments that might feel overwrought in adult choirs.

Who it's for

Conductors leading treble choirs with orchestra access, particularly those in school or regional settings where children's voices can anchor a full ensemble work. This piece rewards musicians who thrive in contemporary choral-orchestral repertoire and benefits from casts of 30-40 singers.

How to get the most out of it

  • Balance the treble chorus carefully against the full orchestra, especially in movements where the vocal line carries the thematic material. The children's voices need clarity without being overwhelmed by the woodwind and string textures.
  • Use the movement titles as interpretive guides. Each section has a distinct character rooted in the train window concept, which helps singers and players commit to specific moods rather than treating the piece as abstract.
  • Pay attention to the rhythm section (drums, guitar, bass) in creating forward momentum across all eleven sections. These instruments anchor the journey's sense of travel and progression.
  • Conduct The River and Sewage with deliberate contrast to their neighbors; their darker tone deepens the overall arc and makes the eventual return to lighter material more impactful.

How to use it

This conductor score works best as a gala concert centerpiece or spring finale where you want to showcase your choral-orchestral ensemble without relying on a well-known standard. The eleven-movement structure allows for strategic programming alongside shorter works, or it can stand alone as a substantial statement of your group's capabilities.

Skills your students will build

  • navigating sectional forms with contrasting characters
  • balancing treble voices within a full orchestral texture
  • interpreting programmatic music through ensemble collaboration
  • sustaining attention and ensemble cohesion across extended multi-movement works
  • responding to conductor interpretation shifts between distinct musical ideas

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