Journey in Peace: SAB Choral Octavo
Incorporating a Traditional Hebrew Prayer
Music by Andy Beck and Ben Cohn
Item: 00-PO-0004332
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About the Composer: Andy Beck

Andy Beck directs choral publications at Alfred Music and has composed and arranged more than 450 works for singers of all ages, from elementary children's musicals to advanced choral literature. His vocal resources—including Sing at First Sight, Foundations in Choral Sight Singing, and Vocalize! 45 Vocal Warm-Ups That Teach Technique—have shaped how music teachers approach literacy and technique in the rehearsal room. A tenor himself, Beck maintains an active career as guest conductor, choreographer, clinician, and adjudicator across the United States and beyond, and has served as commissioned composer and conductor for all-state honor choirs throughout the Southeast.
With degrees in music education from Ithaca College and Northwest Missouri State University, Beck combines his classroom experience with his work in musical theatre direction and performance with the North Carolina Master Chorale Chamber Choir. His compositions reflect a deep commitment to choral artistry and music literacy. YouTube performances of his works span continents, testament to the practical musicality and emotional accessibility that define his writing.
Why we love this
This piece moves beyond typical holiday or seasonal sacred music by offering something timeless and genuinely moving for mixed voices. The interplay between Hebrew prayer and contemporary harmony, paired with optional flute solos and integrated sign language possibilities, creates multiple entry points for emotional connection and artistic expression—whether your choir performs it in worship, concert, or community context.
What to expect
Serene and luminous, with a sense of gentle yearning rather than bombast. The traditional Hebrew prayer anchors the piece in spiritual authenticity while the contemporary harmonies create space, allowing the text to resonate without heavy orchestration. When the optional flute enters, it feels like a moment of grace—simple, pure, and briefly transcendent.
Who it's for
SAB choirs of any age seeking a meaningful, emotionally grounded piece that works equally well in concert, worship, or community programming. This octavo welcomes singers with varied experience levels because the parts lie comfortably in the voice range and the harmonic language, though contemporary, never becomes rhythmically complicated.
How to get the most out of it
- Attend closely to phrase breathing between the echoed text passages; the back-and-forth dialogue needs clear separation to create the call-and-response effect that gives the piece its reflective quality.
- If incorporating the optional flute part, rehearse it independently first so singers aren't distracted by the soloistic line and can focus on supporting the gentle harmonic landscape underneath.
- Explore the sign language component in rehearsal even if you don't perform it publicly; understanding the gestural meaning of key words (peace, love, hope) deepens singers' emotional investment and improves phrasing naturally.
- Use the recorded accompaniment to establish the contemporary harmonic palette and tempo, but reserve room for expressive rubato in the vocal melody so the piece breathes as a prayer rather than feeling metrically locked.
How to use it
Program this as a closing piece on a concert featuring diverse sacred traditions, or use it to open a second half with a meditative tone that shifts the emotional temperature of the room. It also serves beautifully in interfaith or community peace-building events where emotional sincerity and inclusive messaging matter more than technical display.
Skills your students will build
- Singing contemporary harmonic language (seventh chords, modal interchange) in a lyrical context
- Executing clear diction in Hebrew while maintaining vowel shape and legit tone
- Responding to call-and-response text phrasing with precise cutoffs and re-entries
- Blending with optional instrumental soloists and adjusting tone to support rather than compete
- Interpreting liturgical text with spiritual authenticity rather than theatrical sentimentality