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Joshua: Concert Band Conductor Score

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Joshua: Concert Band Conductor Score

Arranged by Andrew Balent

Grade: 2

Item: 98-B1176S

$6.00
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Description
Based on Joshua Fit De Battle of Jericho, this upbeat swing arrangement is a guaranteed crowd pleaser. Modest range and technical demands make it easy to focus on style in your teaching. The band even has a chance to put their hands together (and consider getting the audience involved as well!). Characteristic of Andrew Balent, the piece works with varying instrumentation and is easy to put together.

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Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
UPC: 241444467916
SKU: 98-B1176S

More about this title

About the Composer: Andrew Balent

Andrew Balent is a composer and arranger whose work appears regularly in school band and orchestra curricula. Known for writing accessible pieces that prioritize musical style and engagement over technical complexity, Balent designs scores that work across different instrumental configurations without sacrificing musicality. His arrangements of traditional material have become staples in Grade 2 and 3 concert band repertoire.

Why we love this

This arrangement strips away the technical barriers that often keep younger bands from tackling style and character work. The modest demands on both range and technique give your students real bandwidth to focus on swing feel, articulation, and ensemble blend rather than scrambling through their parts. The built-in hand-clapping moment and audience participation option transform a concert moment into genuine engagement.

What to expect

This is pure joy. The upbeat swing rhythm lifts the classic spiritual into bright, contemporary energy without losing its roots. There's a playful quality that invites the band to smile while they play, and the moment when hands start clapping creates a sense of collective celebration rather than formal performance.

Who it's for

Grade 2 concert bands seeking accessible, high-energy repertoire that emphasizes style and musicianship over technical demands. Directors looking to build swing feel and rhythmic independence in younger ensembles will find this arrangement rewarding, as will teachers who want to program a piece that connects with audiences through familiar melody and participatory moments.

How to get the most out of it

  • Establish a clear swing feel before sectionals begin. The lift and bounce of swing articulation matters more than technical precision here, so use recordings or conduct with a relaxed, swinging pulse to help the band internalize the rhythmic character.
  • Balance the rhythm section carefully. Since modest instrumentation is expected, spend extra time on the drummers and any available low brass to make sure they lock into a steady, grooving foundation without rushing.
  • Build the hand-clapping moment into rehearsal well before the concert. Have the band practice their own clapping patterns separately, then layer them with the music so the ensemble can maintain steady time and blend while playing through the handclap section.
  • Consider the audience participation cue as an opportunity to engage the concert space. A clear, confident invitation from the conductor and a bright demonstration by the band makes inviting the audience to clap feel natural rather than awkward.

How to use it

Schedule this as an opener or closer on a concert where you want to establish an energetic, community-friendly atmosphere. It pairs well alongside other accessible Grade 2 pieces in a full concert program, or use it as a celebration piece near the end of the school year when students have built enough musicality and confidence to focus on style rather than basic execution. The audience participation element makes it ideal for pops concerts or informal school gatherings where engagement is as important as polish.

Skills your students will build

  • Swing articulation and feel
  • Rhythmic independence in ensemble settings
  • Dynamic balance between melody and accompaniment
  • Listening and responding to conductor cues for stylistic changes
  • Managing tempo and groove while incorporating non-musical elements like hand-clapping

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