Jonathan's Bell Carol: SSA Choral Octavo
Words by Andy Beck and Brian Fisher, music by Andy Beck
Item: 00-PO-0001559
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More about this title
About the Composer: Andy Beck

Andy Beck directs choral publications at Alfred Music and has composed and arranged over 450 choral works, vocal resources, and children's musicals that are performed by singers across the globe. His educational publications including Sing at First Sight, Foundations in Choral Sight Singing, and Vocalize! 45 Vocal Warm-Ups That Teach Technique have shaped how many singers develop literacy and vocal skill.
Beyond the page, Beck remains active as a guest conductor, choreographer, adjudicator, and clinician working with music educators and students throughout the United States and internationally. He has served as commissioned composer and guest conductor for honor choirs and all-state groups, particularly across the Southeast. A trained tenor with degrees in music education from Ithaca College and Northwest Missouri State University, Beck continues to perform with the North Carolina Master Chorale Chamber Choir and has been an Alfred Music studio singer since 1992. His work reflects a deep commitment to choral artistry, music literacy, and arts education.
Why we love this
Beck captures the narrative momentum of a story in music that young singers can genuinely connect to, trading generic holiday sentiment for a specific character and setting. The 6/8 meter drives the piece forward with physical energy that mirrors bell motion, giving singers something tangible to feel rather than just sing. The fully harmonized choruses reward careful work on blend and balance, making this a piece that teaches while it entertains.
What to expect
The 6/8 meter sways like bells ringing overhead, and you can almost see the young tower-keeper at work. The verses feel intimate and storytelling-centered, then the chorus opens into full, jubilant harmonies that suggest a whole town gathering in holiday spirit. It's tender and merry at once, never saccharine.
Who it's for
SSA choirs (grades 5-8 and high school) looking for a Christmas piece with genuine narrative character and singable four-part harmony during the fully-harmonized sections. This works equally well for concert choirs wanting a shorter seasonal offering and for festival or church contexts where meaningful, character-driven repertoire matters more than technical showiness.
How to get the most out of it
- Conduct the 6/8 meter in two to maintain the swinging bell character; a ponderous three-beat will flatten the narrative momentum.
- Shape the 'Noel' sections to build communal warmth by bringing out soprano and alto lines equally rather than letting sopranos dominate the tune.
- Use the recorded accompaniment to establish tempo and harmonic context during rehearsals, then work toward ensemble independence so singers own the phrasing together.
- Emphasize text clarity in the narrative verses so the audience follows Jonathan's story; slight retard into chorus entries helps signal the shift from storytelling to celebration.
How to use it
Program this early in a holiday concert to set a warm, narrative tone that invites the audience in; it pairs beautifully with more dramatic Christmas pieces later in the program. For schools focusing on concert programming rather than pure liturgical settings, the balance of story and harmony makes it ideal for mixed audiences who appreciate substance alongside seasonal joy.
Skills your students will build
- Reading and sustaining 6/8 meter with consistent rhythmic drive
- Blending and balancing four-part harmony in the 'Noel' choruses
- Projecting text clarity while maintaining melodic shape in narrative verses
- Responding to dynamic and tempo shifts that mirror story progression