Jonathan's Bell Carol: SAB Choral Octavo
Words by Andy Beck and Brian Fisher, music by Andy Beck
Item: 00-PO-0001558
Minimum order quantity: 20 copies
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More about this title
About the Composer: Andy Beck

Andy Beck directs choral publications for Alfred Music and has composed and arranged more than 450 choral works, vocal resources, and children's musicals now in circulation. His pedagogical materials, including Sing at First Sight, Foundations in Choral Sight Singing, and Vocalize! 45 Vocal Warm-Ups That Teach Technique, are foundational texts in many choirs and schools across the country.
Beyond the page, Beck maintains an active career as a guest conductor, clinician, and adjudicator for school and honor choirs nationwide, with particular involvement in southeastern all-state ensembles. A tenor himself since his time as an Alfred studio singer beginning in 1992, he continues to perform and direct musical theatre while singing with the North Carolina Master Chorale Chamber Choir. He holds degrees in Music Education from Ithaca College (Bachelor's) and Northwest Missouri State University (Master's).
Why we love this
The 6/8 meter doesn't just sit on the page; it actively creates the physical sensation of bells swinging, giving singers something visceral to connect to. The fully-harmonized "Noel" choruses lift the piece into something genuinely celebratory, and the SAB voicing keeps the writing accessible without sacrificing musical interest or charm.
What to expect
Jonathan's Bell Carol evokes a snapshot of medieval or small-town Christmas morning, with the steady pulse of 6/8 drawing you into the motion of tower bells. There's warmth in the harmonization and a genuine narrative pull as the carol unfolds, creating an intimate moment that feels both traditional and distinctly composed.
Who it's for
This octavo works beautifully for intermediate to advanced SAB choirs seeking a carol that feels fresh and singable without sacrificing sophistication. Community choirs, school choirs with limited bass resources, and programs pairing treble or mixed ensembles will all find room for it.
How to get the most out of it
- Shape the melodic line with the bell imagery in mind. The rise and fall of 6/8 suggests natural swells of motion; let your singers feel the arc rather than counting mechanically.
- Balance the "Noel" choruses so that the harmony rings clearly without overpowering the soloists or narrative moments. These are moments of communal joy, not volume.
- Address any rhythmic unsteadiness in 6/8 early. Once the pulse settles, the storytelling becomes much more effective and the swinging sensation takes hold.
How to use it
Position this as a centerpiece in a Christmas concert's second half, where the audience is settled and the storytelling can land. It pairs well with longer choral works or with instrumental processionals, and its 16-page length makes it substantial enough to anchor a section without overshadowing lighter carols.
Skills your students will build
- Reading and performing in compound meter (6/8)
- Balancing harmonic interest in three-part mixed voicing
- Shaping melodic phrases to support narrative text
- Blending parts during fully-harmonized passages