Jolly Rockin' Christmas Cover Image

Jolly Rockin' Christmas: Score & Parts

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Jolly Rockin' Christmas Cover Image

Jolly Rockin' Christmas: Score & Parts

By Bert Ligon

Grade: 4

Item: 36-52783007

$19.95
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Description
Fresh new arrangements of these holiday classics by Bert Ligon. Contents: Frosty the Snowman; Holly Jolly Christmas; Rockin' Around the Christmas Tree; Rudolph, the Red-Nosed Reindeer; Winter Wonderland

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296511-2
ISBN13: 978-1-68-296511-5
UPC: 746241284983
SKU: 36-52783007
Instrumentation: Piano Trio

More about this title

About the Composer: Bert Ligon

Bert Ligon

Bert Ligon directs jazz studies at the University of South Carolina, where he oversees jazz combo and big band ensembles, teaches improvisation and arranging, and mentors students in applied jazz lessons. His published works span big band, orchestra, jazz combo, steel band, and jazz strings; he has also authored three instructional texts on jazz harmony, technique, and theory.

Ligon's experience as a performer informs his compositional voice. He recorded Jazz Trio 2006 as pianist alongside violinist Martin Norgaard and cellist Renata Bratt, an album that captures the conversational interplay of small jazz ensemble writing. His dual fluency on piano and guitar gives his arrangements an intuitive understanding of idiomatic writing across instruments.

Why we love this

Ligon's arrangements bring genuine jazz sensibility to holiday standards without burying the melodies that audiences know. Each tune lands somewhere between playful and swinging, which makes them engaging for both performers and listeners during the holiday season. The Grade 4 writing keeps the technical demands reasonable while still requiring real ensemble coordination and musical maturity.

What to expect

Modern and buoyant without losing the warmth of these beloved melodies. Ligon's touch is witty and groove-oriented; you'll hear the jazz DNA in the comping figures and rhythmic syncopation, yet the melodies themselves feel familiar and joyful. The arrangements invite playfulness while maintaining the comfort that these songs bring to holiday listeners.

Who it's for

Piano trios at the intermediate level who want to expand beyond classical repertoire and explore jazz-influenced writing. These arrangements work equally well for school ensembles, church holiday concerts, and studio recitals. If your players are comfortable with swing feel and basic jazz vocabulary, this collection is accessible and immediately rewarding.

How to get the most out of it

  • Balance the melody carefully across all three instruments. These are well-known tunes, and the audience will notice if the head gets lost in the texture. Make clarity your first priority before layering in accompaniment figures.
  • Use the recorded accompaniment (if available) sparingly during rehearsals. Working out the relationships between piano, violin, and cello without that crutch will sharpen your collective listening and entrances.
  • Keep the rhythmic feel relaxed and grounded. Holiday swing doesn't need to race; let the quarter-note pulse sit comfortably so the groove feels intentional rather than rushed.
  • Pay close attention to articulation and phrasing markings. Ligon's jazz background means he likely uses short note values and rests to shape the groove. Those details separate a polished trio from one that just plays the notes.

How to use it

Cluster these five pieces into a coherent holiday concert set that showcases your piano trio's versatility and personality. Alternatively, distribute them across multiple winter programs (winter concert, holiday party, community event) so you're not over-performing the same five tunes in one season. The Grade 4 level makes them ideal for February or March performances as well, when groups want to program something seasonally apt but not saccharine.

Skills your students will build

  • Swing feel and jazz rhythmic phrasing
  • Ensemble balance and voiced textures across three instruments
  • Reading and executing jazz comping figures and chord-based accompaniments
  • Stylistic flexibility and genre awareness
  • Articulation control to shape groove and propel melodic lines

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