Jolly Jingle Christmas Medley: SAB Choral Octavo
Up on the Housetop / Deck the Hall / O Christmas Tree / Jingle Bells / Jolly Old St. Nicholas
Arr., with new music, by Alan Billingsley
Item: 00-PO-0001651
Minimum order quantity: 20 copies
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More about this title
About the Arranger: Alan Billingsley

Alan Billingsley brings decades of professional arranging and composing experience across entertainment, broadcast, and educational markets. His credits span Disney theme park productions, NBC television, Grammy-considered compositions, and original Broadway-style musical theater, establishing him as a versatile voice in contemporary music arrangement.
Based in Los Angeles, Billingsley operates a full digital recording studio and holds a degree in music and psychology from Indiana University. He has served as an exclusive clinician for Disney's Magic Music Days at Disneyland and maintains an active presence in both commercial and educational music circles.
Why we love this
Billingsley's medley design balances accessibility with genuine theatrical flair. The arrangement moves at an energetic clip without sacrificing clarity in the three-part voicing, and his ear for orchestration shines through in how he layers familiar melodies to create something that feels fresh and celebratory rather than merely strung together.
What to expect
A kaleidoscope of holiday tradition tumbling forward at infectious speed. The medley sparkles with orchestral detail and rhythmic vitality, landing somewhere between a concert showstopper and the kind of infectious joy that fills a room. It's designed to make audiences smile and singers feel confident.
Who it's for
Directors programming a concert finale or holiday show that needs reliable audience energy without heavy vocal demands. This medley works for developing choirs, community choral groups, and experienced ensembles alike; the SAB voicing keeps it accessible while Billingsley's arrangement craft keeps it engaging.
How to get the most out of it
- Lean into the pizzazz. This medley lives on momentum and brightness; undersinging or dragging the tempo will flatten the effect Billingsley built in.
- Use the recorded accompaniment to lock the ensemble's entrances and transitions between carols, especially if this is early in your rehearsal season.
- Shape each carol within the medley as its own moment, even at the brisk tempo. A small ritardando or breath between sections prevents the piece from feeling like a continuous blur.
- Highlight the SAB voicing as an asset. The three-part texture allows soloists or small groups to feature specific lines during transitions.
How to use it
Save this for the closing moments of a winter concert or holiday assembly where you want the audience to leave on a high note. The four-and-a-half-minute runtime makes it an ideal complement to longer, more contemplative holiday selections earlier in the program, providing the contrast and uplift audiences remember.
Skills your students will build
- Blending multiple melody lines in a medley structure
- Sustaining energy and precision at a fast tempo
- Executing clean transitions between distinct musical sections
- Balancing individual voice part clarity in a three-part arrangement