Jolly Jingle Christmas Medley: SATB Choral Octavo
Up on the Housetop / Deck the Hall / O Christmas Tree / Jingle Bells / Jolly Old St. Nicholas
Arr., with new music, by Alan Billingsley
Item: 00-PO-0001650
Minimum order quantity: 20 copies
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About the Arranger: Alan Billingsley

Alan Billingsley has built a career arranging and composing across entertainment mediums, from Broadway musicals to theme park productions to television scoring. His work spans educational choral and instrumental markets, commercial recordings, and corporate theatrical events, with seven compositions nominated for Grammy consideration. He has served as music director and pianist for NBC's "Days of Our Lives" and worked extensively with The Walt Disney Company on attractions and clinician programs, bringing his theatrical sensibility to every project he touches.
Billingsley holds a degree in music and psychology from Indiana University and operates a digital recording studio in Los Angeles. His ability to blend accessibility with sophisticated arranging makes his choral work particularly valuable for directors seeking pieces that sound polished and professional while remaining within reach of high school and community choirs.
Why we love this
Billingsley understands what makes a holiday concert memorable. This medley moves fast enough to hold an audience's attention while the familiar melodies ensure instant recognition and emotional connection. The included staging and movement suggestions transform what could be a simple sing-through into a genuine theatrical moment that justifies its four-and-a-half minute runtime.
What to expect
Pure holiday sparkle with theatrical flair. The piece hums with motion and joy, familiar carols appearing and receding like lights on a decorated street. There's a sense of celebration without sentimentality, energy without exhaustion.
Who it's for
This medley works for high school and college choirs seeking a sophisticated yet crowd-pleasing closer for holiday concerts. Billingsley's SATB writing sits comfortably for mixed ensembles with typical range, and the theatrical elements appeal to choirs that enjoy performance beyond pure singing.
How to get the most out of it
- Lean into the theatrical direction. The staging notes are not optional flourishes; they're integral to why this arrangement works as a showstopper. Rehearse movement alongside the music from the beginning.
- Balance clarity with momentum. Carols are recognizable because of their familiar shapes, so resist the urge to overemote. Keep the energy high and the diction crisp so the medley sparkles rather than drags.
- Use the recorded accompaniment to establish the exact tempo Billingsley intended. His arrangements are tightly constructed, and nailing the right pace unlocks the "pizzazz" the piece promises.
How to use it
Program this as your closer or near-finale on a holiday concert. Its high spirits and theatrical movement create a natural peak moment before any final ensemble piece, and the audience will leave humming. The pacing and visual elements also make it ideal for community and family holiday celebrations where production value matters as much as pure musicianship.
Skills your students will build
- Sight-reading multiple familiar melodies layered simultaneously
- Coordinating vocal line with staged movement
- Maintaining tempo through quick sectional transitions
- Balancing precision diction with energetic delivery
- Ensemble blend across SATB voicing during rapid harmonic changes