Johnny Angel Cover Image

Johnny Angel: Choral SoundPax

$30.00 USD
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Johnny Angel Cover Image

Johnny Angel: Choral SoundPax

Words by Lyn Duddy, music by Lee Pockriss / arr. Jay Althouse

Item: 00-37912

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Description
Your ladies' angelic voices will sound heavenly on this pop hit single from 1962, originally sung by Shelley Fabares. A winsome, romantic lyric and a fun arrangement especially for your gals.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Johnny Angel: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 26
UPC: 038081423845
SKU: 00-37912
Instrumentation: SoundPax

More about this title

About the Composer: Lee Pockriss

Lee Pockriss carved out a career writing accessible pop songs during the 1950s and 1960s, understanding what made melodies stick in listeners' minds. His ability to craft radio-friendly hooks while maintaining genuine melodic charm made him a go-to songwriter for artists seeking material with both commercial appeal and musical substance.

Why we love this

Jay Althouse's arrangement captures the dreamy, earnest quality of the original without oversimplifying it for singers. The SoundPax format gives you flexibility in how you present this, whether paired with full accompaniment or stripped back for rehearsal focus. It's a song your singers will actually want to perform, which matters.

What to expect

Warmth and sincerity anchor this arrangement. The melody carries an easy romanticism, buoyed by period-appropriate harmonies that feel both retro and timeless. Your singers will find themselves actually connecting to the lyric rather than just executing notes.

Who it's for

Women's choirs and select mixed ensembles looking for a pop standard that feels polished without requiring extensive rehearsal time. Directors seeking repertoire that builds confidence in singers while sounding genuinely contemporary for concert programs.

How to get the most out of it

  • Balance the melody line clearly so the romantic lyric lands without wavering. The hook only works if it cuts through.
  • Shape phrases through to their endpoints rather than dropping off at line breaks. This music breathes with long, sustained lines.
  • Let the recorded accompaniment establish the tempo and pocket first; singers should lock into that groove rather than imposing their own interpretation.

How to use it

This works beautifully as a concert opener to establish an intimate mood, or as a pop feature in a set combining standards from the 1960s. It's also strong repertoire for spring concerts or any program celebrating accessible, well-crafted songwriting.

Skills your students will build

  • Sustaining long melodic lines without losing intonation
  • Balancing pop style diction with choral blend
  • Responding to recorded accompaniment tempo and rhythm
  • Performing period-appropriate pop interpretation (contrast to contemporary styles)

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