Joe Pass: On Guitar Cover Image

Joe Pass: On Guitar: Guitar Book & CD

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Joe Pass: On Guitar: Guitar Book & CD

Joe Pass

Item: 00-REHBK009CD

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Description
In this book, Joe explains his musical and guitaristic approach to the process of jazz improvisation. Includes 50 musical examples and three complete transcriptions, all of which are contained on the included CD. There is also a complete overview of "The Three Harmonic Families" and the lines, scales, and chord superimpositions and substitutions that comprise this view of Joe's jazz language. (Related to the video An Evening with Joe Pass).

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Sample Pages

Sample Audio
1 All The Things You Are --:--
2 Joes Blues --:--
3 Stella By Starlight --:--

All The Things You Are

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Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 88
ISBN10: 1-57623-437-1
ISBN13: 978-1-57623-437-2
UPC: 029156214673
SKU: 00-REHBK009CD

More about this title

About the Artist: Joe Pass

Joe Pass redefined what a solo guitarist could accomplish in jazz. His fingerstyle technique and harmonic sophistication allowed him to voice complete chords, walk basslines, and improvise melodies all at once, making him one of the few guitarists who could hold an entire performance without additional accompaniment. Pass spent decades distilling his approach into teachable concepts, particularly his framework of harmonic families, which became foundational to how many jazz guitarists think about substitution and voice leading.

Why we love this

Pass teaches you how he actually thinks about harmony and improvisation rather than just showing you what his fingers do. The Three Harmonic Families framework cuts through the mystique of jazz guitar and gives students a coherent system for understanding chord substitution, superimposition, and melodic development. Fifty transcribed examples mean your students can hear the concepts immediately, then study how they work on the page.

What to expect

Elegant and crystalline. Pass's writing is as clear and efficient as his playing; there's no wasted explanation. The examples unfold logically, building from foundational ideas to genuinely complex harmonic applications, creating a sense of discovery rather than overwhelming complexity.

Who it's for

Jazz guitar students who want to understand the harmonic thinking behind sophisticated improvisation, not just fingering patterns. Guitar teachers seeking a method that develops both technical facility and conceptual depth will find Pass's pedagogical approach invaluable.

How to get the most out of it

  • Study the transcriptions with the CD on repeat. Hearing Pass execute these lines in context is as important as reading them. Pause and loop individual phrases until the harmonic logic becomes intuitive.
  • Work through the harmonic families section sequentially. Each family builds logically on the previous one, so jumping around will obscure the connections that make the system work.
  • Apply the substitution concepts to standards you already know. Take a tune you play frequently and test Pass's approaches on the chord changes before attempting original improvisation.

How to use it

Assign this to advanced jazz guitar students working on solo and small-group improvisation skills. The book works particularly well in the spring when students are preparing for recitals or jazz combos, since the transcriptions provide concrete models for the kinds of harmonic sophistication their own improvisation should reach.

Skills your students will build

  • Voice leading and harmonic substitution within the three primary harmonic families
  • Chord superimposition and reharmonization techniques
  • Connecting harmonic concepts to melodic improvisation
  • Solo guitar fingerstyle voicing and arrangement
  • Listening analysis and transcription from the included audio examples
  • Understanding the relationship between harmonic function and melodic choice

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