Jingle Jive Cover Image

Jingle Jive: Concert Band Conductor Score

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Jingle Jive Cover Image

Jingle Jive: Concert Band Conductor Score

By James Lord Pierpont / arr. Steve Hodges

Grade: 2 (Medium Easy)

Item: 00-39613S

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Description
This clever arrangement of "Jingle Bells" invites all sections of the band to have some fun. With jazzy variations of the melody, call-and-response interplay, and a dynamic "big band" ending, this chart will provide a perfect upbeat ending to a holiday concert! (1:55)

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Additional Details
Series: Challenger Band Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081454788
SKU: 00-39613S

More about this title

About the Composer: James Lord Pierpont

James Lord Pierpont (1822-1893) composed one of America's most enduring holiday melodies. "Jingle Bells," originally titled "The One Horse Open Sleigh," appeared in 1857 and has become synonymous with winter celebrations across generations of music students.

Pierpont's gift for memorable melody and simple harmonic structure made his work ideal for music education. Conductors and teachers have long recognized the accessibility and universal appeal of his compositions, which continue to serve as entry points for young musicians into the concert band repertoire.

Why we love this

Steve Hodges transforms a familiar tune into something musicians actually want to play. The call-and-response sections and jazzy variations energize a Grade 2 ensemble without requiring specialized jazz pedagogy, while the big band closing gives everyone a moment to shine on a concert stage.

What to expect

Playful and swinging. The jazzy reharmonizations and rhythmic games give a familiar melody fresh energy while staying grounded in that universal winter joy everyone recognizes. The big band finale has real punch for a Grade 2 piece.

Who it's for

Concert bands at the Grade 2 level looking for repertoire that engages every section and keeps audiences smiling. This works equally well for school bands preparing a holiday concert or community ensembles seeking accessible material with genuine personality.

How to get the most out of it

  • Let the melody statements breathe between sections. The contrast between straight rhythmic passages and the jazz variations lands harder when you don't rush the transitions.
  • Balance the call-and-response exchanges carefully so each section's line registers clearly. Clarity matters more than volume here.
  • Build momentum steadily into the final big band section. This ending should feel earned, not abrupt.
  • Use the dynamic range marked in the score to shape the overall arc. The medium dynamics in the middle sections will make that final swell feel genuinely celebratory.

How to use it

Use this as a concert closer on holiday programs where you want to shift the mood from reverent to celebratory. It pairs well after more traditional seasonal pieces and sends audiences out smiling. At just under two minutes, it fits neatly into programs without eating rehearsal time.

Skills your students will build

  • Jazz articulation and interpretation
  • Call-and-response ensemble communication
  • Dynamic control and phrasing
  • Rhythmic accuracy in syncopated passages
  • Section balance and blend in full ensemble scoring

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