Jingle Bell Rock Sheet Music Preview

Jingle Bell Rock: SAB Choral Octavo

As featured on Glee

Words and music by Joe Beal and Jim Boothe / arr. Alan Billingsley

Item: 00-PO-0001747

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Description
First released in 1957 and famously recorded by Brenda Lee, this Christmas classic was most recently performed by Sam Evans and the Cheerios on Glee.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0001747

More about this title

About the Composer: Joe Beal

Joe Beal co-wrote "Jingle Bell Rock" with Jim Boothe in 1957, creating one of the most enduring rock and roll holiday songs in American popular music. The composition became a cultural touchstone when Brenda Lee's recording achieved massive commercial success, and it has remained a holiday staple across generations of artists and ensembles.

Why we love this

Alan Billingsley's arrangement captures the swagger and energy of the original rock and roll recording while keeping the part-writing accessible for developing choirs. The SAB voicing lets you program genuine holiday rock without sacrificing musical substance, and the recorded accompaniment gives singers a solid rhythmic anchor for nailing the groove.

What to expect

The piece captures the joy and infectious energy of 1950s rock and roll translated into choral terms, with driving rhythms and bright harmonies that make singers feel the fun rather than just singing about it. There's a retro cool factor here that appeals to performers who might not otherwise gravitate toward holiday music.

Who it's for

Choirs seeking a holiday piece with genuine rock and roll character that engages singers and audiences alike. This arrangement works for intermediate to advanced SAB choirs that can handle tight rhythmic coordination and want something more musically substantial than typical seasonal pops.

How to get the most out of it

  • Lock the rhythm section (piano and bass parts, if played live) into the recorded accompaniment from the first rehearsal so singers can feel the pocket rather than fight against it.
  • Emphasize the backbeat on beats 2 and 4 throughout; this rhythmic clarity is what makes the rock and roll character work.
  • Keep the diction crisp and aligned across all three parts, especially during the busier rhythmic passages where clarity can blur.
  • Use light, forward articulation on the quick note figures to maintain the playful, energetic character without sounding heavy or labored.

How to use it

Place this as an anchor piece in a winter concert, either opening a second half with high energy or closing out a holiday set with genuine style. It pairs well alongside more traditional seasonal repertoire, offering audience and singers a refreshing tonal shift while staying firmly in holiday context.

Skills your students will build

  • Rhythmic precision in rock and roll idioms (backbeat emphasis, syncopation)
  • Blend and balance in three-part mixed voicing
  • Singing with recorded accompaniment (rhythmic independence and ensemble cohesion)
  • Diction clarity in up-tempo material
  • Stylistic authenticity in popular music arranging

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