Jingle Bell Rock: SATB Choral Octavo
As featured on Glee
Words and music by Joe Beal and Jim Boothe / arr. Alan Billingsley
Item: 00-PO-0001746
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Joe Beal
Joe Beal co-wrote "Jingle Bell Rock" with Jim Boothe in 1957, creating one of the most enduring secular Christmas songs in American popular music. The song's infectious energy and clever rhythmic hooks have made it a staple of holiday programming across multiple generations and musical styles.
Why we love this
Alan Billingsley's arrangement captures the infectious energy of the original rock and roll hit while keeping the part writing accessible for mixed ensembles. The piece balances rhythmic drive with singable melodies, making it a crowd pleaser that feels fresh rather than overly sentimental. Your choir will love the swagger of this one; audiences will be moving in their seats.
What to expect
Jingle Bell Rock snaps with the vitality of 1950s rock and roll, all offbeat energy and swagger. The piece refuses to be precious about the holiday; instead, it invites your singers to tap into the playfulness and attitude of the original hit.
Who it's for
Choirs looking to program contemporary holiday music that moves beyond traditional carols. This arrangement works well for groups with solid rhythm section experience or access to recorded backing tracks, and it's ideal for choirs wanting to reach younger audiences or balance serious repertoire with something approachable and fun.
How to get the most out of it
- Anchor the groove with a steady, confident pulse from your rhythm section or recorded accompaniment. This piece lives in the pocket, so rhythmic precision matters more than expressive rubato.
- Shape the parts with crisp articulation on consonants, especially in the faster passages, to match the rock and roll attitude of the original.
- Balance the SATB lines so the melody comes through clearly while the harmonies support without overwhelming. The arrangement likely features the tune in the soprano or tenor at different points.
- Use the recorded accompaniment to lock in the groove during rehearsals, then gradually reduce reliance on it as your ensemble internalizes the rhythmic feel.
How to use it
Program this as a concert closer or holiday show opener where you want the ensemble to have immediate impact. It pairs well with a mix of traditional and contemporary repertoire, offering a bridge between classic choral writing and modern styles. The piece also works splendidly in pops concerts, community holiday performances, or settings where you want the audience to leave smiling.
Skills your students will build
- Rhythmic precision in rock and roll style (shuffle feel, syncopated rhythms)
- Reading SATB parts with idiomatic contemporary harmony
- Ensemble blend when balancing melody and supporting harmonic lines
- Connecting lyrical content to performance attitude and stylistic choices