Jingle Bell Rock Sheet Music Preview

Jingle Bell Rock: SATB Choral Octavo

As featured on Glee

Words and music by Joe Beal and Jim Boothe / arr. Alan Billingsley

Item: 00-PO-0001746

Digital Download
$2.10

Minimum order quantity: 20 copies

One moment…

Description
First released in 1957 and famously recorded by Brenda Lee, this Christmas classic was most recently performed by Sam Evans and the Cheerios on Glee.

Jingle Bell Rock: SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0001746

More about this title

About the Composer: Joe Beal

Joe Beal co-wrote "Jingle Bell Rock" with Jim Boothe in 1957, creating one of the most enduring secular Christmas songs in American popular music. The song's infectious energy and clever rhythmic hooks have made it a staple of holiday programming across multiple generations and musical styles.

Why we love this

Alan Billingsley's arrangement captures the infectious energy of the original rock and roll hit while keeping the part writing accessible for mixed ensembles. The piece balances rhythmic drive with singable melodies, making it a crowd pleaser that feels fresh rather than overly sentimental. Your choir will love the swagger of this one; audiences will be moving in their seats.

What to expect

Jingle Bell Rock snaps with the vitality of 1950s rock and roll, all offbeat energy and swagger. The piece refuses to be precious about the holiday; instead, it invites your singers to tap into the playfulness and attitude of the original hit.

Who it's for

Choirs looking to program contemporary holiday music that moves beyond traditional carols. This arrangement works well for groups with solid rhythm section experience or access to recorded backing tracks, and it's ideal for choirs wanting to reach younger audiences or balance serious repertoire with something approachable and fun.

How to get the most out of it

  • Anchor the groove with a steady, confident pulse from your rhythm section or recorded accompaniment. This piece lives in the pocket, so rhythmic precision matters more than expressive rubato.
  • Shape the parts with crisp articulation on consonants, especially in the faster passages, to match the rock and roll attitude of the original.
  • Balance the SATB lines so the melody comes through clearly while the harmonies support without overwhelming. The arrangement likely features the tune in the soprano or tenor at different points.
  • Use the recorded accompaniment to lock in the groove during rehearsals, then gradually reduce reliance on it as your ensemble internalizes the rhythmic feel.

How to use it

Program this as a concert closer or holiday show opener where you want the ensemble to have immediate impact. It pairs well with a mix of traditional and contemporary repertoire, offering a bridge between classic choral writing and modern styles. The piece also works splendidly in pops concerts, community holiday performances, or settings where you want the audience to leave smiling.

Skills your students will build

  • Rhythmic precision in rock and roll style (shuffle feel, syncopated rhythms)
  • Reading SATB parts with idiomatic contemporary harmony
  • Ensemble blend when balancing melody and supporting harmonic lines
  • Connecting lyrical content to performance attitude and stylistic choices

You May Also Like