Jingle Bell Dash: 2-Part Choral Octavo
Arr. Lynn Shaw Bailey
Item: 00-PO-0003151
Minimum order quantity: 20 copies
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More about this title
About the Arranger: Lynn Shaw Bailey
Lynn Shaw Bailey is a prolific arranger whose work has become a staple in school choral programs across the country. Known for arranging accessible, engaging pieces that maintain musical integrity while respecting the realities of rehearsal time constraints, Bailey has contributed extensively to Alfred Publishing's choral catalog over several decades.
Why we love this
This arrangement transforms two familiar melodies into something genuinely delightful without requiring extra rehearsal time during an already packed December schedule. The mashup concept gives students something unexpected to sing, keeping their attention even as their minds drift toward winter break, and the recorded accompaniment takes the pressure off piano-dependent rehearsals.
What to expect
Playful and unpretentious, this arrangement captures the joy of recognizing a clever musical joke while singing it. The bouncy SoundTrax drives the festive energy throughout, creating a performance that feels more like a gift to your audience than a holiday obligation.
Who it's for
Directors managing multiple December commitments will appreciate this quick-learning piece that works for middle school through early high school mixed or treble choirs. The comfortable ranges and straightforward harmonies make it ideal for younger singers or groups with limited rehearsal time who still want something genuinely entertaining on their winter concert.
How to get the most out of it
- Keep the tempo sprightly and maintain rhythmic precision, especially where "Jingle Bells" and "Chopsticks" overlap; a loose ensemble here loses the charm of the mashup.
- Layer the dynamics thoughtfully between parts so both melodic lines remain audible, preventing either voice from disappearing into the other.
- Use the recorded accompaniment in rehearsals to establish the groove quickly, then pull it for live performance to let your singers own the sound.
- Bring energy to the articulation without forcing it; let the bouncy character emerge from natural phrasing rather than over-emphasis.
How to use it
Program this early on your winter concert to establish a warm, approachable tone before moving into more serious material. It works beautifully as a palate cleanser between a reverent carol and a demanding contemporary piece, or as an opener that immediately settles an audience into a celebratory mood.
Skills your students will build
- Recognizing and singing two independent melodic lines simultaneously
- Maintaining rhythmic cohesion in a playful, syncopated context
- Blending voices while preserving textural clarity in 2-part writing
- Quick music learning and sight-reading under time constraints