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Jingle Basses: String Orchestra Conductor Score & Parts

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Jingle Basses Cover Image

Jingle Basses: String Orchestra Conductor Score & Parts

Bass Section Feature

Traditional / arr. Bob Phillips

Grade: 1

Item: 00-40454

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Description
Cute, fun, and a true grade 1 bass feature! What more could you want? Encourage the bass players by showing them off. The bass parts are very simple, but the basses also play jingle bells in a surprise twist at the end of the piece. Brainstorm ideas to dress this piece up. Some suggestions are to put Santa hats on the bass players or the scroll of the basses. You could even put Christmas lights or stockings on the bass or stands. Bring the bass players up front. Have some bells on each bass stand where the audience can't see them. Then, when the time is right, the bassists pull out the bells and jingle away! Correlates to Sound Innovations Book 1, Level 3.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Jingle Basses: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sound Innovations for String Orchestra
Publisher: Alfred Music
Page Count: 72
UPC: 038081459738
SKU: 00-40454

More about this title

About the Arranger: Bob Phillips

Bob Phillips

Bob Phillips (b. 1953) has shaped string education through decades of innovative pedagogy and composition. A conductor, teacher trainer, and prolific author, he developed the six-level Sound Innovations series alongside groundbreaking eclectic style publications including Fiddlers Philharmonic, Jazz Philharmonic, and Rock Philharmonic. Over 200 of his orchestral and band works have been published, and he is an award-winning ASCAP composer whose pieces are regularly performed at the Midwest Clinic.

For 27 years, Phillips built the Saline, Michigan string program into a national model of excellence, enrolling over 700 students across classical and eclectic repertoire. He founded the Saline Fiddlers Philharmonic, which gained international recognition through annual performances exceeding 80 shows yearly, including multiple White House appearances. Phillips has conducted youth orchestras, all-state ensembles, and honor orchestras across the United States and served as resident conductor and arranger for the Wintergrass Festival in Seattle.

Why we love this

This piece solves the perennial challenge of keeping bass players engaged and visible in the early grades. Phillips writes bass parts that sit comfortably for novice players while giving them genuine musical responsibility, and the surprise jingle bells finale transforms a routine feature into theater that delights both audience and performers.

What to expect

Playful and warm, with a built-in twist that catches listeners off guard. The piece feels like a wink between the musicians and the audience, turning a bass feature into an unexpected moment of joy that lingers after the final bell rings.

Who it's for

String orchestras working at or near Sound Innovations Book 1, Level 3, who want to celebrate and elevate their bass players. The uncomplicated bass line keeps younger ensembles from stalling, while the novelty element maintains student enthusiasm during the winter concert season.

How to get the most out of it

  • Position the bass section visibly on stage during the opening, building anticipation for their featured moment.
  • Coordinate the jingle bell entrance with visual staging (Santa hats, lights, or other props) to maximize the comedic and musical impact of the surprise.
  • Place bells on stands where the audience cannot see them beforehand, then cue the bassists to retrieve and play them at the designated moment.
  • Balance the jingle bell sound so it cuts through clearly without overpowering the ensemble during the finale.

How to use it

Schedule this near the end of your winter concert when energy might be dipping, or use it as a palate cleanser between more substantial works. The staging possibilities invite student creativity and audience participation in a way that strengthens ensemble culture.

Skills your students will build

  • Reading and executing simple rhythmic patterns with confidence
  • Playing as an ensemble section with focused intonation and tone
  • Managing a musical feature and responding to conductor cues
  • Understanding call-and-response texture and sectional independence

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