Jazzy Old Saint Nicholas Cover Image

Jazzy Old Saint Nicholas: Piano Sheet

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Jazzy Old Saint Nicholas Cover Image

Jazzy Old Saint Nicholas: Piano Sheet

Arranged by Catherine Rollin

Level: Early Intermediate

Item: 00-5432

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Description
The famous Santa song is jazzed up with a swing rhythm, syncopation and a walking bass line. This will make a great Christmas piece for holiday recitals and gatherings for the early intermediate pianist.

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Additional Details
Series: Signature Series
Publisher: Alfred Music
Page Count: 4
ISBN10: 0-7390-2301-2
ISBN13: 978-0-7390-2301-3
UPC: 038081018225
SKU: 00-5432

More about this title

About the Arranger: Catherine Rollin

Catherine Rollin

Catherine Rollin balances an active performance schedule with mentoring students who go on to win major competitions. She holds degrees from the University of Michigan and Oakland University School of Performing Arts, and her teaching insights have shaped workshops and masterclasses across North America, Japan, and Taiwan.

As a composer, Rollin has earned commissions from the Music Teachers National Association, Clavier Companion, and the Michigan Music Teachers Association, with works selected for the National Federation of Music Clubs Festivals Bulletin. She served as a national judge for the MTNA Student Composition Competition and the Lynn Freeman Olson Composition Contest. Her ASCAP award-winning Museum Masterpieces series has been featured in concert presentations, and her trio Suite Detroit premiered at the 2018 MTNA national conference.

Why we love this

Rollin understands what early intermediate students need: a recognizable melody they can sink their teeth into, rhythmic energy that feels modern without being technically overwhelming, and a groove that makes practice time fun rather than a chore. The swing interpretation lifts this ubiquitous tune out of its traditional context entirely, giving students permission to reinterpret familiar material with style and personality.

What to expect

Relaxed and swinging, with a gently shuffled pulse underneath. The familiar melody stays front and center, but now it's dressed in blue, moving with the ease of a trio on a warm evening. There's humor in the contrast between what listeners expect and what they hear.

Who it's for

Early intermediate pianists who can handle some rhythmic independence between hands and are ready to explore jazz idioms. This arrangement rewards students who know the melody cold and want to learn how arrangers transform a song by changing its rhythmic DNA.

How to get the most out of it

  • Keep the walking bass line steady and even; think of it as a heartbeat that the right hand layers onto, not something that competes for attention.
  • Approach the syncopated passages with a relaxed wrist. Let the natural swing rhythm breathe rather than forcing precision on every sixteenth note.
  • Explore the dynamic range. A quieter, swaying opening followed by a fuller, more energetic chorus makes the form crystal clear to listeners.
  • Listen to classic jazz piano trio recordings for inspiration on how to voice the harmony and shape the swing feel.

How to use it

Place this in a December recital as a palate cleanser between more formal fare, or program it as a finale if you want the audience leaving with a smile. It also works beautifully as a winter open house piece that lets nervous students showcase personality and feel confident.

Skills your students will build

  • Swing eighth-note feel and syncopation in a jazz context
  • Independence between hands with syncopated melody over steady bass
  • Reading and executing a walking bass line
  • Stylistic interpretation and arranging concepts
  • Phrase shaping and dynamics in an unfamiliar genre

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