Jazz Suite in Color Cover Image

Jazz Suite in Color: Piano Sheet

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Jazz Suite in Color Cover Image

Jazz Suite in Color: Piano Sheet

By Martha Mier

Level: Intermediate

Item: 00-46012

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Description
Jazz Suite in Color for solo piano is an arrangement of the original Jazz Suite in Color, a trio for clarinet, trumpet, and piano. Now solo pianists can enjoy this exciting mix of jazz styles painted musically with a splash of color. As in the original, there are three movements, each with a distinctive jazz style. The first movement projects a jazzy feeling of celebration and happiness. The second movement is calm and serene, yet depicts the sadness of the blues. The third movement is a happy and carefree ragtime piece. Movements: Fluorescent Pink Jazz * Sapphire Blue Blues * Spring Green Rag.

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Additional Details
Series: Recital Suite Series
Publisher: Alfred Music
Page Count: 12
ISBN10: 1-4706-3677-8
ISBN13: 978-1-4706-3677-7
UPC: 038081522555
SKU: 00-46012

More about this title

About the Composer: Martha Mier

Martha Mier

Martha Mier has been a defining voice in educational piano publishing since joining Alfred Music in 1989. Her catalog of over 200 works spans genres from jazz and ragtime to romantic impressionism, all written with deep understanding of how students learn. She studied at Florida State University and maintained an active piano studio in Lake City, Florida for many years while building a reputation as both a composer and accompanist.

As a state and nationally certified piano teacher, Mier has shaped pedagogy through her work with the Music Teachers National Association, World Piano Pedagogy Conference, and countless state conventions. Her pieces regularly appear on the National Federation of Music Clubs Junior Festival Bulletin. Beyond composing, she serves as a clinician and adjudicator, having led workshops in the United States, Australia, and New Zealand. Her collaborative work on Alfred's Premier Piano Course reflects her commitment to music education at all levels.

Why we love this

Mier captures genuine jazz vocabulary and style within a structure that intermediate pianists can actually execute. The three-movement arc gives you a complete arc for a meaningful recital slot, and the color-coded titles make the emotional journey immediately clear to an audience. Each movement asks something different of the player, from rhythmic precision in the ragtime finale to the interpretive sensitivity required by the blues, which makes this both rewarding to teach and genuinely fun to perform.

What to expect

You move through three distinct emotional landscapes: first, a bright and energetic celebration that bounces with jazz rhythms; then a slower blues ballad that sits in reflection and melancholy; finally, a bouncy ragtime romp that brings you back to lightness and ease. The compositional writing feels natural to the piano, never fighting the instrument.

Who it's for

Intermediate pianists ready to play in a recital or contest setting with music that sounds and feels genuinely jazz-inflected. This works equally well for students exploring jazz idioms for the first time and those looking for a polished, three-part showpiece that doesn't require ensemble partners.

How to get the most out of it

  • Shape the swing feel in the first movement by relaxing the eighth-note rhythms slightly; precision here will make the celebration feel stiff rather than joyful.
  • Let the left hand breathe in the second movement. The blues progression will feel heavy if every chord change is struck equally; save weight for the moments where emotion peaks.
  • Commit fully to the ragtime stride patterns in the finale. The right-hand melody sits on top of active left-hand movement, so practice hands separately until the accompaniment pattern becomes automatic.

How to use it

Program this as a complete suite within a longer recital to give yourself a full dramatic arc in one piece, or use individual movements strategically across a program. The variety in styles and moods makes it excellent for competitions where judges want to hear range and stylistic control. At 12 pages, it commands enough stage time to feel substantial without overwhelming an intermediate player.

Skills your students will build

  • Jazz articulation and phrasing across swing eighth notes and syncopated rhythms
  • Blues harmonic vocabulary and how changes relate to melody
  • Stride piano technique and left-hand independence
  • Stylistic contrast and emotional storytelling through three distinct musical settings
  • Balanced voicing of jazz chords and comp rhythms

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