Jazz Pizzicato for String Orchestra Cover Image

Jazz Pizzicato for String Orchestra: String Orchestra, Ensemble Works Conductor Score

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Jazz Pizzicato for String Orchestra Cover Image

Jazz Pizzicato for String Orchestra: String Orchestra, Ensemble Works Conductor Score

By Leroy Anderson

Item: 36-A908401

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Description
Leroy Anderson's (1908-1975) Jazz Pizzicato, written in 1938, was the first of his works to be performed by the Boston Pops after he came to the attention of the pops orchestra's director, Arthur Fiedler. It was an immediate hit, and Fiedler encouraged him to write more original compositions for the orchestra, starting a succession of works that have since become well known. Instrumentation: String orchestra (8-8-5-5-5 in set). Versions for full orchestra, string orchestra, and band are available.

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Additional Details
Series: Kalmus Leroy Anderson Orchestra Series
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852142-9
ISBN13: 979-8-88-852142-7
UPC: 676737640347
SKU: 36-A908401
Instrumentation: String Orchestra, Ensemble Works

More about this title

About the Composer: Leroy Anderson

Leroy Anderson (1908-1975) was an American composer and conductor whose gift for orchestration and melodic invention made him one of the most performed living composers of his era. Though trained in classical composition at Harvard, Anderson found his voice in light orchestral music, creating works of sophisticated charm that appealed equally to concert audiences and popular listeners. His partnership with Boston Pops conductor Arthur Fiedler became legendary, producing dozens of witty, brilliantly orchestrated pieces that remain staples of pops programming.

Why we love this

Anderson's orchestration here is lean and inventive; every voice counts, and the pizzicato writing gives string players genuine star moments rather than relegating them to accompaniment. The piece launches a concert with energy and humor while remaining musically substantial enough to respect your ensemble's capabilities. It's the kind of opener that settles an audience and energizes your musicians.

What to expect

Jazz Pizzicato bounces with wit and sophistication. The pizzicato strings dance with a syncopated, jaunty energy that feels almost impish, while Anderson's elegant harmonies and clever voice-leading prevent the piece from ever sounding cheap or trivial. It's music that swings without abandoning its classical roots.

Who it's for

String orchestras at intermediate level and beyond will find this piece accessible yet rewarding. Directors programming pops concerts, holiday events, or lighter repertoire benefit from having a work this charming and reliable in their collection.

How to get the most out of it

  • Establish a steady, driving pulse from the start; the piece's charm evaporates if the rhythm drags or wavers
  • Shape the pizzicato articulations with character; Anderson expects clarity and rhythmic precision, not merely percussive attack
  • Balance the viola and cello lines carefully in the middle sections; they carry supporting material that shouldn't disappear
  • Let the violins breathe on their melodic statements; resist the urge to rush through sustained passages

How to use it

Open a concert or pops program with this piece to establish an upbeat, accessible mood. It pairs naturally with other light orchestral works and serves as an excellent palette cleanser between heavier repertoire. The piece also works well in school assemblies or community performances where you want to showcase ensemble musicality with immediate appeal.

Skills your students will build

  • Precision in pizzicato articulation and rhythmic clarity
  • Reading and executing syncopated rhythmic patterns
  • Balancing inner voices within a homogeneous string texture
  • Interpreting light, character-driven music with appropriate style and restraint

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