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Jazz Improv: Intermediate Piano Book

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Jazz Improv: Intermediate Piano Book

By Edwin McLean, Kevin Olson

Item: 98-FJH2248

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Description
Jazz Improv is a core book of the Jazz in Focus Library, introducing students to seventh chords, the ii-V-I chord progression, and approach tones. As with the two previous improv books, the step-by-step approach encompassing: 1) a simple concept, 2) a short demonstration piece, 3) riffs for improvising, and 4) a free improvisation chart assures steady progress and opens the door to more advanced study. Jazz Improv is an essential introduction for any piano student who wants to begin the study of jazz, and the material is flexible enough to be used by younger as well as more experienced players.

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Additional Details
Series: Jazz in Focus
Publisher: The FJH Music Company, Inc.
ISBN10: 1-61928-107-4
ISBN13: 978-1-61-928107-3
UPC: 674398232994
SKU: 98-FJH2248

More about this title

About the Composer: Edwin McLean

Edwin McLean brings decades of experience as both a performer and educator in jazz piano and improvisation. His work with the Jazz in Focus series reflects a deep commitment to making jazz study accessible and systematic for students at all levels.

Why we love this

This book strips away the mystique around jazz harmony by building seventh chords and ii-V-I progressions through manageable steps. Students get immediate musical payoff with riffs they can use right away, then graduate to genuine improvisation on provided charts, which means you're not just teaching theory, you're getting students to actually play jazz.

What to expect

A conversation between student and guide. The writing stays patient and clear without condescension, offering just enough scaffolding so that trying to improvise feels possible rather than overwhelming.

Who it's for

Piano students ready to move beyond classical repertoire into jazz but who need guided introduction to harmony and improvisation. Younger players benefit from the structured approach; experienced classical pianists find a clear pathway into a new musical language.

How to get the most out of it

  • Start with the demonstration pieces before tackling the riff exercises. These short examples show exactly how the concept sounds in context, which accelerates understanding faster than explanation alone.
  • Encourage students to transpose the riff exercises into multiple keys as soon as they feel solid in the original. This builds real fluency rather than just memorized finger patterns.
  • Use the free improvisation charts to set up low-pressure improvising sessions. Knowing the harmonic structure is already laid out lets students focus on phrasing and listening rather than scrambling to navigate changes.

How to use it

Slot this into your jazz curriculum or independent study offerings as the foundational harmony text. It pairs naturally with jazz ensemble work, giving ensemble members the harmonic literacy they need to function in that setting.

Skills your students will build

  • Building and recognizing seventh chords (major 7, dominant 7, minor 7)
  • Executing ii-V-I progressions in multiple keys
  • Using approach tones to connect chord tones in improvisation
  • Reading and performing lead sheets with chord symbols
  • Creating melodic lines within harmonic constraints

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