Jazz for Three Cover Image

Jazz for Three: 3 Clarinets Score & Parts

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Jazz for Three Cover Image

Jazz for Three: 3 Clarinets Score & Parts

By Ryan Meeboer

Level: Medium

Item: 81-CC17108

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Description
This is a collection of original compositions and arrangements of various styles of jazz music set for three like-instruments. The arrangements are suitable for a variety of performance situations such as school concerts, at church or community gigs. There is an optional drum set part that is available as a free download at enpmusic.com. Titles: Sleepwalk (swing) * Mission: Secret (rock) * Just Chillin' (funk) * Up on the Housetop (mambo) * Down and Out (blues) * Swing Time (jump swing) * Front of the Train (mambo) * Mr. Cool (swing) * Rough Copy (funk) * and Glory to that Good Jump Swing (swing).

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Sample Pages

Sample Audio
1 1-Sleepwalk --:--
2 10-Good Jump Swing --:--
3 2-Mission Secret --:--
4 3-Just Chillin --:--
5 4-Housetop --:--
6 5-Down and Out --:--
7 6-Swing Time --:--
8 7-Front of the Train --:--
9 8-Mr Cool --:--
10 9-Rough Copy --:--

1-Sleepwalk

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-461-5
ISBN13: 978-1-77157-461-7
UPC: 685462024629
SKU: 81-CC17108
Instrumentation: 3 Clarinets

More about this title

Why we love this

Meeboer writes for three clarinets with genuine jazz vocabulary, not simplified school arrangements. Each piece stands alone stylistically, so you can program selections that match your ensemble's strengths and your concert theme.

What to expect

Ten snapshots of jazz idioms in three-part clarity. From the swaying warmth of "Sleepwalk" and the driving lock of "Mission: Secret" to the casual groove of "Just Chillin'," each arrangement lets the three clarinets voice a complete musical statement. The variety keeps rehearsals engaging and concerts dynamic.

Who it's for

Intermediate clarinets ready to explore jazz beyond method book exercises. This collection works for school jazz ensembles seeking accessible original material, church or community groups wanting variety, and trio players building a performance repertoire without the complexity of larger ensemble jazz charts.

How to get the most out of it

  • Balance the three parts as equal voices rather than melody-harmony-bass. In swing and mambo styles, trading solo passages between players keeps the ensemble engaged and fresh.
  • Lock the rhythmic feel with your rhythm section early. The optional drum set part (available free at enpmusic.com) anchors the groove; establish that pocket before polishing ensemble articulation.
  • Shape dynamics within each style's idiom. Funk and jump swing thrive on punch; blues and ballad-style pieces need space for the melodic lines to breathe.
  • Work the articulations that define each jazz style. Rock and funk require cleaner tonguing; swing demands legato phrasing and lilt.

How to use it

Program these as shorter concert breaks between larger works, or build an entire set around the collection if your ensemble performs regularly at community events. A single piece like "Up on the Housetop" (mambo) works well as a seasonal novelty; "Swing Time" and "Mr. Cool" pair naturally for a jazz-focused concert segment.

Skills your students will build

  • Jazz articulation and phrasing across multiple styles (swing, funk, rock, blues, mambo, jump swing)
  • Reading and executing rhythm section feels without a bass player
  • Voice leading and balance in three-part writing
  • Ensemble listening and adjustment to match groove and tone in each style
  • Sight-reading medium-difficulty jazz charts

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