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Jazz Classics: String Quartet Full Score & Parts

$30.00 USD
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Jazz Classics: String Quartet Full Score & Parts

Arr. Tony Esposito and Jeff Sultanof

Item: 00-IF0344

$30.00
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Description
Jazz classics including: The Birth of the Blues * Zing! Went the Strings of My Heart * I Got Rhythm.

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Additional Details
Series: Classic String Quartets
Publisher: Alfred Music
Page Count: 108
ISBN10: 0-7692-3306-6
ISBN13: 978-0-7692-3306-2
UPC: 723188703449
SKU: 00-IF0344

More about this title

About the Arranger: Tony Esposito

Tony Esposito is an arranger and composer with deep roots in jazz pedagogy and string writing. His work bridges traditional chamber music with American jazz standards, creating accessible yet musically sophisticated arrangements for student and professional ensembles alike.

Why we love this

These arrangements capture the swagger and syncopation of classic jazz standards without sacrificing the textural clarity that string quartets demand. The collection balances rhythmic sophistication with playable parts, making it genuinely rewarding for students discovering how strings can swing.

What to expect

These pieces sparkle with the casual elegance of 1920s and 1930s American jazz. The string quartet becomes a sophisticated jazz ensemble, trading the classical warmth for bright articulation, dancing rhythms, and that unmistakable swing that made these standards timeless.

Who it's for

String quartet ensembles at the intermediate level and above who want to explore jazz idiom with chamber music sophistication. This collection works equally well for student groups seeking accessible jazz exposure and advanced quartets looking to expand their repertoire beyond classical standards.

How to get the most out of it

  • Establish the groove early in rehearsal by listening to recordings of these standards; string players often need a reference for authentic jazz articulation and swing feel.
  • Separate bow attacks from jazz phrasing by encouraging slight relaxation and legato within jazz rhythms rather than classical precision.
  • Let the second violin and viola drive the harmonic movement; this arrangement likely relies on their voicing to establish jazz sonority.
  • Mark dynamic and articulation changes clearly, as jazz arrangements often shift between straight rhythmic figures and syncopated passages within a single piece.

How to use it

Program one or more of these pieces as a jazz-focused chamber concert segment, or use them as a bridge concert in a season that mixes classical and contemporary idioms. They work particularly well in informal settings where audiences appreciate the charm of familiar melodies reframed through string texture.

Skills your students will build

  • Swing articulation and jazz phrasing on strings
  • Reading syncopated rhythmic figures in quartet texture
  • Ensemble balance in jazz harmony voicings
  • Rhythmic independence while maintaining ensemble cohesion
  • Stylistic contrast between straight and swung eighth notes

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