Jazz Anyone ..... ?, Book 1---Play and Learn Cover Image

Jazz Anyone.....?, Book 1---Play and Learn: Bass Clef Instruments Book & Online Audio

$24.95 USD
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Jazz Anyone ..... ?, Book 1---Play and Learn Cover Image

Jazz Anyone.....?, Book 1---Play and Learn: Bass Clef Instruments Book & Online Audio

By Willie Thomas

Level: Beginning / Intermediate

Item: 00-940711CD

$24.95
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Description
Play and Learn is an exciting method to learn the art of jazz improvisation---for individual study or classroom use with an entire jazz ensemble. Through the use of recorded jazz tracks (70 on the included recording), sequenced concepts involving exercises, licks and mini-charts, plus structured lessons, a student can acquire improvisation skills.

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Additional Details
Series: Jazz Anyone.....?
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-7692-3440-2
ISBN13: 978-0-7692-3440-3
UPC: 029156907872
SKU: 00-940711CD
Instrumentation: Bass Clef Instruments

More about this title

Why we love this

This method cuts through the intimidation factor of jazz improvisation by scaffolding concepts methodically, pairing written exercises with 70 recorded tracks so students hear what they're learning before they play it. The progression from licks to mini-charts builds confidence without skipping steps, making it unusually effective for ensemble settings where students arrive with varying improvisation experience.

What to expect

The recorded accompaniments swing with authentic jazz feel, grounding each exercise and lick in a real harmonic context so you're never practicing in isolation. Moving from written patterns to improvised solos over these grooves builds genuine musicianship and an ear for jazz phrasing.

Who it's for

Bass clef players (trombone, bass, cello, tuba) who want to learn improvisation fundamentals in a structured, guided way. Works equally well for individual practice at home and for jazz ensemble members who've never improvised before.

How to get the most out of it

  • Listen to the recorded tracks multiple times before attempting to play over them. Internalize the sound and phrasing of the accompaniment so you're reacting musically, not just hitting the right notes.
  • Work through the written exercises slowly, focusing on accuracy and clarity of articulation. Speed comes naturally once you've solidified the patterns.
  • Use the mini-charts to apply what you've learned, but don't feel locked into the written licks. Treat them as building blocks for your own improvised lines.
  • In an ensemble setting, establish eye contact with your fellow players when trading solos. This keeps the energy cohesive and helps you anticipate chord changes together.

How to use it

Assign chapters sequentially as part of jazz ensemble curriculum or as supplemental material for your lower brass section. The method integrates seamlessly into rehearsal: players can work through exercises independently while you focus rehearsal time on applying new concepts to ensemble pieces.

Skills your students will build

  • Basic jazz improvisation vocabulary and phrasing
  • Reading and interpreting chord symbols
  • Navigating major, minor, and dominant seventh chord arpeggios
  • Transcribing and adapting recorded licks
  • Playing over jazz rhythm section grooves with accurate time feel

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