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Japanese Prints: Concert Band, Ensemble Works, Conductor Score & Parts

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Japanese Prints: Concert Band, Ensemble Works, Conductor Score & Parts

By Robert Jager

Item: 36-B396202

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Description
Robert Jager composed the three-movement suite JAPANESE PRINTS in 1976 from a commission by The South French Broad Junior High School in Asheville, North Carolina, Patricia Garren, director. Movements: I. KIYOMIZU - a temple-shrine in the ancient imperial capitol of Kyoto, Kiyomizu is a place of contrasts.; II. YUMI KATO - the name of a Japanese girl who performs tea ceremonies in the tea house of the Nagoya Castle. It is a beautiful and quiet traditional ceremony - as delicate as the young lady who performs it.; III. KODAMA - There are two types of high-speed "Bullet Trains" in Japan: the Hikari, an express train, and the Kodama, which makes more frequent stops. A bright chord, which appears at the beginning of the movement and reappears throughout the movement, represents the Hikari speeding by the slower Kodama. Invariably, the Kodama passes Mount Fuji, and it is with this impressive sight in mind that the PRINTS comes to a close.

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Additional Details
Series: Master Band Series - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 605258738745
SKU: 36-B396202
Instrumentation: Concert Band

More about this title

About the Composer: Robert Jager

Robert Jager has composed extensively for concert band and wind ensemble, establishing himself as a reliable voice in the standard band repertoire. His works balance accessibility with musical substance, making them valuable additions to educational and community ensemble libraries.

Why we love this

Jager's ability to evoke distinct imagery through orchestration and melody makes this suite genuinely memorable. Each movement stands alone musically while the set works brilliantly as a full arc, and the level of craftsmanship rewards both ensemble and audience without demanding virtuosity.

What to expect

A journey through Japanese culture filtered through the American concert band tradition. The music shifts between serene contemplation and kinetic energy; you move from the quiet reverence of an ancient temple to the delicate formality of a tea ceremony, then into the dynamic rush of modern rail travel, all while Mount Fuji looms at the horizon.

Who it's for

Directors of intermediate to advanced concert bands seeking repertoire that combines programmatic storytelling with solid musicianship. The three-movement structure works equally well for concert programs or as a meaningful choice for educational ensembles ready to tackle music that demands both technical control and interpretive maturity.

How to get the most out of it

  • Shape the contrasts within each movement carefully. Kiyomizu's dialogue between sections needs clear textural distinction so the temple imagery emerges from the orchestration.
  • Let the tea ceremony movement breathe. Yumi Kato demands restraint and control; resist the urge to push the tempo, especially in quieter passages.
  • Balance the competing trains in Kodama with precision. The bright chord that represents the Hikari should cut through clearly each time it returns, creating that sense of the express train passing by.

How to use it

Program this as a complete three-movement suite to create a concert segment with clear narrative arc and visual interest. It pairs well with overtures or marches while offering programming relief from purely abstract instrumental works.

Skills your students will build

  • Reading and executing contrasting tempos and textures within a larger work
  • Ensemble balance when multiple melodic lines compete for prominence
  • Sustained legit playing in quiet passages without losing tone quality
  • Interpreting program music and translating imagery into musical expression
  • Precision in rhythmic figures that suggest motion and propulsion

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