January Writ Cover Image

January Writ: SATB Choral Octavo

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January Writ Cover Image

January Writ: SATB Choral Octavo

By Thomas Adès

Level: Advanced

Item: 12-0571520367

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Description
Setting a brooding text from Ecclesiastes, this anthem is a powerful work full of dark beauty with an atmospheric organ accompaniment. A part of the Faber New Choral Works Series designed to provide new and contemporary pieces to choirs seeking a challenge.

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Additional Details
Series: Faber Edition: Faber New Choral Works
Publisher: Faber Music
ISBN10: 0-571-52036-7
ISBN13: 978-0-571-52036-7
UPC: 9780571520367
SKU: 12-0571520367
Instrumentation: with Piano

More about this title

About the Composer: Thomas Adès

Thomas Adès is a British composer and conductor whose work spans opera, orchestral music, and chamber works, earning him recognition as one of the most significant contemporary classical composers. His music is marked by harmonic sophistication, dramatic intensity, and a command of orchestration that influences even his smaller-scale works. As a composer who engages deeply with text and meaning, Adès brings intellectual rigor and emotional depth to choral writing, making his work particularly rewarding for advanced ensembles willing to engage with modern compositional language.

Why we love this

Advanced choirs rarely encounter contemporary repertoire from major composers that feels both musically substantial and genuinely singable. January Writ offers both: Adès's sophisticated harmonic language and architectural control never overshadow the text or the singers' ability to communicate it. The atmospheric organ accompaniment creates a distinctive sonic world that distinguishes this piece from both traditional anthems and experimental fare, making it a memorable addition to a concert.

What to expect

Dark and meditative, with the weight of Ecclesiastes' text reflected in Adès's harmonic vocabulary. The organ creates an immersive atmosphere that feels less like accompaniment and more like another voice in the ensemble, surrounding and supporting the choir with atmospheric textures that shift subtly beneath the singing.

Who it's for

This octavo is for advanced SATB choirs with secure musicianship, access to an experienced organist, and an appetite for 21st-century choral literature. Directors programming this should have singers comfortable with contemporary harmonic language and the stamina for music that demands interpretive maturity.

How to get the most out of it

  • Establish the organ accompaniment as foundational to the piece's meaning. Rehearse with the organist from early on so the choir learns to blend into rather than compete with the harmonic environment Adès creates.
  • Shape phrases according to the text's emotional arc rather than obvious metric divisions. The brooding quality emerges from sustained tension and carefully timed releases, not from conducting the bar line.
  • Balance the SATB texture by prioritizing clarity of individual lines over choral blend. Modern writing often requires singers to hear and support their neighbors rather than merge into an undifferentiated whole.
  • Take time building intonation in the piece's chromatic passages. Adès's harmonic language requires singers to find pitches contextually within each chord, not from external reference tones alone.

How to use it

January Writ works as a centerpiece for a concert exploring spiritual texts through contemporary music, or as a standalone anthem that signals artistic ambition to audiences familiar with Adès's larger works. Its introspective quality makes it an effective closer for a program, though it can also anchor a thematic set alongside other modern works that grapple with existential or philosophical questions.

Skills your students will build

  • Reading and realizing complex harmonic language in contemporary contexts
  • Balancing individual melodic lines within a chromatic texture
  • Responding to organ accompaniment with sensitivity and support rather than competition
  • Interpreting text-driven phrasing independent of metric regularity
  • Building ensemble intonation in non-functional harmonic progressions

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