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Jamey Aebersold's Jazz Ear Training: Book & 2 CDs

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Jamey Aebersold's Jazz Ear Training Cover Image

Jamey Aebersold's Jazz Ear Training: Book & 2 CDs

By Jamey Aebersold

Item: 24-JETCD

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Description
Jamey Aebersold's Jazz Ear Training is a no-nonsense approach consisting of two hours of recorded ear training exercises with aural instructions before each. It starts very simply, with intervals and gradually increases in difficulty until you are hearing chord changes and progressions. All answers are listed in the book, and contains transposed parts for C, B-flat, and E-flat instruments to allow playing along. Beginning to advanced levels.

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Additional Details
Publisher: Jamey Aebersold Jazz
Page Count: 24
ISBN10: 1-56224-067-6
ISBN13: 978-1-56224-067-7
UPC: 635621500341
SKU: 24-JETCD

More about this title

About the Author: Jamey Aebersold

Jamey Aebersold revolutionized jazz education by creating a systematic, accessible pathway for musicians to develop the ear and improvisational skills that jazz demands. His play-along method, developed over decades of teaching and performing, has become the foundation for jazz programs worldwide because it bridges the gap between theoretical knowledge and practical musicianship.

Why we love this

This resource cuts through the mystique around jazz ear training and delivers exactly what students need: structured, progressive exercises that build confidence. The dual approach of listening and playing along (with transpositions for all instruments) means your section can work through it together, turning ear training from a solitary slog into something collaborative.

What to expect

Methodical and stripped down. There's no filler here, just focused listening exercises that start with the fundamentals and push gradually into the harmonic complexity that makes jazz challenging. Two hours of recorded material means you're hearing real musical examples, not synthesized tones.

Who it's for

Jazz students at any level who need their ears to catch up to their hands. This also works for traditional ensemble musicians building jazz literacy or developing more acute interval and harmonic recognition.

How to get the most out of it

  • Start with the recorded instruction before attempting each exercise; Aebersold's voice-over walks you through what to listen for, which makes the jump in difficulty feel intentional rather than sudden.
  • Use the written answers as a learning tool, not a shortcut. Work through an exercise first, then check your work and note patterns you missed.
  • Rotate through the transposed parts so all instruments in your jazz ensemble stay engaged; C instruments shouldn't get bored while waiting for the B-flat and E-flat versions.
  • Spend multiple sessions on the same section before moving forward. The progression is designed to stick, but rushing through weakens retention.

How to use it

Build this into your jazz curriculum as a weekly or twice-weekly station work. Students can cycle through it independently or in pairs over several months, creating a common language around chord quality and voice leading that strengthens small group improvisation and section playing.

Skills your students will build

  • Interval identification by ear across octaves and registers
  • Major, minor, dominant seventh, and extended chord recognition
  • Chord progression and harmonic function hearing
  • Transposition and transposed instrument coordination
  • Harmonic vocabulary recall and real-time aural comprehension

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