iv 4 for Bass Flute, Oboe, Bass Clarinet in B flat, and Tuba Cover Image

iv 4 for Bass Flute, Oboe, Bass Clarinet in B flat, and Tuba: Four Performing Scores

$83.00 USD
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iv 4 for Bass Flute, Oboe, Bass Clarinet in B flat, and Tuba Cover Image

iv 4 for Bass Flute, Oboe, Bass Clarinet in B flat, and Tuba: Four Performing Scores

4 Performing Scores; PCCS

By Mark Andre

Item: 98-EP12490

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 20
ISBN10: 0-01-411402-X
ISBN13: 979-0-0141-1402-2
SKU: 98-EP12490
Instrumentation: Flute, Oboe, Bass Clarinet in B flat, and Tuba

More about this title

About the Composer: Mark Andre

Mark Andre is a German composer and conductor whose work spans orchestral, chamber, and electro-acoustic music. His compositions are known for their precise structural thinking and exploration of timbre across unconventional instrumental combinations, earning him recognition in contemporary classical circles and performances at major European festivals.

Why we love this

This quartet demands that players listen across a genuinely unusual instrumental blend. Bass flute, oboe, bass clarinet, and tuba create an ensemble where no two instruments occupy the same register naturally, forcing each player to claim their own musical space while maintaining cohesion. It's the kind of piece that reshapes how players think about balance and voice independence.

What to expect

The sparse, carefully orchestrated sounds create an austere and exploratory character. Each voice emerges from silence with purpose, and the timbral relationships between bass flute and tuba, oboe and bass clarinet, reveal unexpected textures and resonances that unfold gradually across the twenty-page score.

Who it's for

Chamber musicians and new music ensembles exploring contemporary repertoire with mixed woodwind and brass resources. This work suits advanced amateur quartets and professional new music groups seeking challenging material that rewards careful ensemble preparation.

How to get the most out of it

  • Balance the bass flute against the oboe by favoring the oboe's presence in unison passages; the bass flute's darker timbre can easily recede without intentional projection.
  • Treat the tuba as a harmonic anchor rather than a continuo instrument. Its entries should feel deliberate and shaped, never merely supportive.
  • Establish clear internal pulse among all four players before addressing dynamics; the unconventional instrumentation makes rhythmic coordination essential.

How to use it

Position this as a centerpiece in a contemporary chamber concert, pairing it with other mixed-instrumentation works to build a thematic evening around unconventional ensemble colors. Its length and difficulty make it suitable as a substantial single offering rather than part of a longer program.

Skills your students will build

  • Listening and balancing across non-homogeneous timbres
  • Rhythmic precision in sparse, complex textures
  • Intonation adjustment for unusual interval combinations
  • Independence and voice leading in small ensemble settings

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