iv 18 Cover Image

iv 18: Double Bass Solo Book

$53.00 USD
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iv 18 Cover Image

iv 18: Double Bass Solo Book

für Kontrabass

By Mark Andre

Level: Advanced

Item: 98-EP14615

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Description
iv 18 (Sie frchten sich nmlich) by Mark Andre is a 44-minute work for double bass solo. It is a work from the iv-series by the composer Mark Andre. iv stands for introversion and the subtitle 'They are afraid' refers to a central passage from the Gospel of Mark and describes the unstable, the uncertain and the future. The world premiere took place on 11 September 2021 in Berlin at the Musikfest Berlin with Frank Reinecke (double bass).

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Additional Details
Publisher: Edition Peters
Page Count: 60
ISBN10: 0-01-413901-4
ISBN13: 979-0-01-413901-8
UPC: 9790014139018
SKU: 98-EP14615

More about this title

About the Composer: Mark Andre

Mark Andre is a German composer known for his intricate solo and chamber works that explore extended instrumental techniques and conceptual frameworks. His iv-series represents a sustained artistic inquiry into solo performance, with each work in the series bearing a title that reflects psychological or spiritual states, grounding abstract musical exploration in human experience.

Why we love this

This 44-minute solo work demands complete artistic and technical commitment from the bassist, offering material that treats the instrument as a vehicle for deep, sustained musical thought rather than virtuosic display. The work premiered at Berlin's Musikfest Berlin, anchoring it in a serious contemporary music context that gives performers real stakes and artistic purpose.

What to expect

The work unfolds as a meditation on uncertainty and apprehension, with musical material that resists easy resolution or comfort. The 44-minute span allows psychological and sonic textures to develop with patience, creating an immersive rather than dramatic experience.

Who it's for

Advanced double bass soloists seeking substantial contemporary repertoire that rewards deep preparation and sustained focus. This work suits performers committed to new music and willing to engage with extended techniques and conceptual depth.

How to get the most out of it

  • Study the full score architecture before diving into individual passages; at 44 minutes, understanding the large-form trajectory prevents getting lost in dense notation
  • Engage with the subtitle and its theological reference as a conceptual anchor, allowing the emotional and structural instability in the music to serve expressive intent rather than seem arbitrary
  • Mark tempo and dynamic changes with precision, as the work likely contains subtle shifts that accumulate meaning over the extended duration

How to use it

Program this as a centerpiece recital work or as part of a contemporary music concert dedicated to solo string repertoire. Its substantial length and artistic weight make it suitable for festival presentations or formal recital contexts where a single work commands a full program segment.

Skills your students will build

  • Reading complex contemporary notation and extended techniques
  • Sustaining musical coherence over extended solo passages
  • Interpretive depth and conceptual engagement with abstract musical material
  • Stamina and focus across a 44-minute solo performance

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