Ithaca (from <I>The Odyssey</I> (Symphony No. 2)) Cover Image

Ithaca (from <I>The Odyssey</I> (Symphony No. 2)): Concert Band Conductor Score

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Ithaca (from <I>The Odyssey</I> (Symphony No. 2)) Cover Image

Ithaca (from The Odyssey (Symphony No. 2)): Concert Band Conductor Score

By Robert W. Smith

Grade: 4 (Medium)

Item: 00-BDM04024C

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Description
The dynamic conclusion to Robert W. Smith's long awaited second symphony, The Odyssey, will bring the house down without fail. You'll hear the arrows pass right by your head, the sword fight ensue, and an overall tremendous work for concert band. Monumental! Program it alone or, for a awe-inspiring concert, program it with the other three movements, "The Iliad" (BDM00052), "The Winds of Poseidon" (BD9923), and "The Isle of Calypso" (BDM01042). (5:50)

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Additional Details
Series: Belwin Symphonic Band
Publisher: Alfred Music
Page Count: 40
UPC: 654979074441
SKU: 00-BDM04024C

More about this title

About the Composer: Robert W. Smith

Robert W. Smith

Robert W. Smith stands among America's most frequently performed composers of concert band and orchestral music, with over 400 published works distributed internationally. Educated at Troy State University (AL) for his undergraduate degree in music education and the University of Miami (FL) for his master's degree, Smith has built a catalog that spans original compositions, arrangements, and works for ensembles at every development level.

His two symphonies, The Divine Comedy and The Odyssey, have secured places in the repertoire across North America, Europe, Australia, and Asia. Beyond the concert hall, Smith's music has appeared on major television broadcasts, from the opening of the Macy's Thanksgiving Day Parade to the Olympic Games, and has been commissioned for ceremonies and celebrations at the highest levels. As a conductor and clinician, he maintains an active presence at festivals and conferences throughout the United States, Canada, Japan, Australia, and Europe.

Why we love this

This finale delivers the dramatic payoff that a full symphony demands. Smith orchestrates the climactic moment of the Odyssey narrative with precision and theatrical flair, creating a movement that justifies programming the entire symphony as a concert centerpiece. The writing sits comfortably at Grade 4 while maintaining the sophistication that keeps veteran ensembles engaged.

What to expect

The arrows whistle overhead, steel clashes, and Odysseus's triumph unfolds in orchestral grandeur. Lyrical moments ground the narrative in heroic reflection before the momentum builds again, culminating in a monumental gesture that leaves both musicians and listeners exhausted and satisfied.

Who it's for

Mature Grade 4 concert bands and advanced Grade 3 ensembles looking for substantial symphonic literature with popular appeal. Directors who want to program Smith's work or complete The Odyssey cycle will find a finale that resonates with audiences and gives every section meaningful material.

How to get the most out of it

  • Balance the heroic themes across your sections; the broad melodic lines need clarity without drowning out supporting parts, particularly when strings double woodwind passages.
  • Mark the tempo fluctuations carefully in rehearsal. Smith's dramatic architecture relies on subtle shifts in pulse to build tension toward the final moments.
  • Drill the articulation patterns in the brass and percussion during the battle sequences. Clean, unified tonguing separates the sword-clash imagery from mere noise.
  • Use the full dynamic range available to you. The contrast between intimate, lyrical passages and the monumental climax will fall flat if the quiet sections aren't genuinely soft.

How to use it

Program this alone as a stand-alone showstopper, or undertake the full symphonic journey by pairing it with The Iliad, The Winds of Poseidon, and The Isle of Calypso for an awe-inspiring concert arc. At 5:50, it's substantial enough to anchor a program without consuming an entire rehearsal schedule to prepare properly.

Skills your students will build

  • Conducting and balancing thick orchestration across eight or more instrumental sections
  • Sustaining ensemble cohesion through extended climactic passages and dramatic dynamic shifts
  • Interpreting programmatic music and translating narrative detail into musical characterization
  • Managing intonation and tone quality in dense harmonic writing at the upper-middle grade level
  • Executing articulation precision in rapid brass and percussion figures that define rhythmic momentum

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