Ithaca (from <I>The Odyssey</I> (Symphony No. 2)) Cover Image

Ithaca (from <I>The Odyssey</I> (Symphony No. 2)): Concert Band Conductor Score & Parts

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Ithaca (from <I>The Odyssey</I> (Symphony No. 2)) Cover Image

Ithaca (from The Odyssey (Symphony No. 2)): Concert Band Conductor Score & Parts

By Robert W. Smith

Grade: 4 (Medium)

Item: 00-BDM04024

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The dynamic conclusion to Robert W. Smith's long awaited second symphony, The Odyssey, will bring the house down without fail. You'll hear the arrows pass right by your head, the sword fight ensue, and an overall tremendous work for concert band. Monumental! Program it alone or, for a awe-inspiring concert, program it with the other three movements, "The Iliad" (BDM00052), "The Winds of Poseidon" (BD9923), and "The Isle of Calypso" (BDM01042). (5:50)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Ithaca (from The Odyssey (Symphony No. 2)): Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Symphonic Band
Publisher: Alfred Music
Page Count: 284
UPC: 654979074434
SKU: 00-BDM04024

More about this title

About the Composer: Robert W. Smith

Robert W. Smith

Robert W. Smith stands among America's most frequently performed composers of concert band and orchestral music. His catalog exceeds 400 published works, the majority distributed through Alfred Music. He holds a Bachelor of Music Education from Troy State University in Alabama and a Master of Music from the University of Miami. Smith's original compositions for concert band and orchestra have reached audiences worldwide, with his first two symphonies, The Divine Comedy and The Odyssey, gaining particular recognition across North America, Europe, Australia, and Asia.

Beyond composition, Smith has established himself as a sought-after conductor and clinician, leading performances throughout the United States, Canada, Japan, Australia, and several European countries. His music has appeared in high-profile contexts ranging from Olympic Games broadcasts to the Macy's Thanksgiving Day Parade telecast and opening ceremonies honoring international dignitaries. Works like The Tempest have become foundational repertoire in developing band programs, cementing his influence on the contemporary concert band canon.

Why we love this

Ithaca delivers the visceral drama that made The Odyssey resonate with conductors worldwide. Smith's orchestration commands attention without overwhelming young musicians; the writing sits comfortably in Grade 4 ranges while maintaining the grandeur of symphonic concert band literature. Whether programmed as a standalone showstopper or as the capstone to the complete symphony, this movement rewards musicians and audiences alike with music that feels substantial and memorable.

What to expect

Ithaca captures the frenetic energy of Odysseus's final confrontation. You'll hear the pulse of combat through rhythmic figures, swells of heroic triumph, and moments of sweeping orchestral color that evoke both struggle and ultimate victory. The writing feels cinematic and urgent, yet never loses sight of the emotional weight beneath the action.

Who it's for

Concert bands at the Grade 4 level seeking a finale with genuine dramatic impact. This movement works equally well for developing ensembles ready to tackle ambitious concert band symphonism and for more experienced groups looking for accessible yet sophisticated programming.

How to get the most out of it

  • Balance the dramatic passages by monitoring the volume of tutti moments carefully. The piece demands power, but clarity of individual sections remains essential at this grade level.
  • Establish a strong sense of pulse in the action sequences. Smith's rhythmic writing propels momentum forward, so lock in metronomic precision without sacrificing musicality.
  • Shape the thematic material with long lines. Even in faster sections, conductors should guide players toward musical phrasing rather than note-by-note articulation.
  • Give particular attention to dynamic contrast in the opening and closing sections. Smith uses orchestral color shifts to create narrative tension, and your ensemble will respond to clear, expressive conducting of these transitions.

How to use it

Program Ithaca as your season finale or concert centerpiece. Its five-minute duration and high engagement factor make it an ideal closer that leaves the audience energized. For maximum impact, present all four movements of The Odyssey across a concert series or within a single program devoted to Smith's symphonic vision.

Skills your students will build

  • Reading and executing rapid articulation patterns in extended sections
  • Balancing multiple dynamic layers within thick orchestral textures
  • Sustaining ensemble focus during extended climactic passages
  • Responding to nuanced conductor gestures that shape thematic phrasing
  • Executing confident rhythmic precision in syncopated and complex rhythmic figures

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