It's Raining Men: SSA Choral Octavo
Words and music by Paul Shaffer and Paul Jabara / arr. Greg Gilpin
Item: 00-PO-0002287
Minimum order quantity: 20 copies
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About the Composer: Paul Shaffer
Paul Shaffer is a keyboardist, composer, and bandleader best known for leading the CBS Orchestra on the Late Show with David Letterman for 33 years. Before his television career took off, Shaffer was already an accomplished session and studio musician, contributing to numerous hit recordings throughout the 1970s. Co-writing "It's Raining Men" with Paul Jabara showcased his gift for crafting infectious, radio-friendly hooks that transcend genres.
Shaffer's work spans pop, disco, and comedy music, but his foundation is deeply rooted in musical theatre and classical training. His ability to write memorable melodies and his understanding of what makes a song stick in people's heads have made him a respected figure in American popular music. For choral directors, his compositions offer accessible, energetic material that audiences recognize and singers enjoy performing.
Why we love this
Greg Gilpin's arrangement captures every ounce of the original's infectious fun while making it work beautifully for SSA voices. The piece strikes that rare balance between being a total crowd-pleaser and genuinely well-crafted; your singers will have a blast performing it, and your audience will be on their feet. It's the kind of selection that reminds people why they love live choral music in the first place.
What to expect
Pure disco joy wrapped in elegant SSA writing. The piece sparkles with that Saturday night energy from the original recording, but Gilpin's arrangement gives it just enough sophistication to feel at home in a serious choral program. Singing it should feel like stepping into a time machine set for 1982, all sequins and confidence.
Who it's for
Choirs looking to program contemporary pop music that feels sophisticated rather than silly, and directors who want their singers to experience the joy of performing a song people actually know and love. This works equally well for high school choirs, community ensembles, and collegiate groups seeking a showstopper with broad appeal.
How to get the most out of it
- Commit fully to the character and energy from the downbeat. This arrangement thrives on confidence and sass; hold back and it loses its sparkle.
- Pay attention to the rhythmic precision in the ensemble sections. The disco groove depends on tight, synchronized attacks and releases.
- Lean into the dynamic contrast between the verses and the big moments. The contrast will make the climaxes land harder and keep the audience engaged throughout.
- Use the recorded accompaniment to lock in the groove, then perform live without it so your singers feel the full weight of their own sound.
How to use it
Program it as a closer on a pop or contemporary choral concert, where it can send audiences out smiling. It also works brilliantly as a palate-cleanser between classical selections in a mixed recital, or as the anchor of a themed program celebrating iconic songs written by unexpected people. The novelty factor combined with genuine musical craft makes it memorable without feeling gimmicky.
Skills your students will build
- Maintaining a steady groove and disco rhythm while singing sustained lines
- Balancing ensemble blend in fast-moving homophonic passages
- Executing clean, precise articulation in syncopated sections
- Managing dynamic control from soft verses to full, unison belt moments
- Singing with character and personality while maintaining vocal technique