It's Ragtime! Cover Image

It's Ragtime!: Choral Instrumental Parts

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It's Ragtime! Cover Image

It's Ragtime!: Choral Instrumental Parts

Words and music by Kirby Shaw

Item: 00-SVM04036IN

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Description
The title says it all. It's an upbeat, driving ragtime choral extravaganza that's fun to sing and will add some real style to any concert. Use of the pre-recorded track or live instruments with the Instrumental Pak will enhance your performance greatly!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, It's Ragtime!: Choral Instrumental Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Publisher: Alfred Music
Page Count: 12
UPC: 654979076186
SKU: 00-SVM04036IN

More about this title

About the Composer: Kirby Shaw

Kirby Shaw

Kirby Shaw brings decades of choral directing experience across five continents, having led innovative vocal jazz ensembles at Colorado State University, the University of Missouri at Kansas City, and Southern Oregon University. His formal training includes degrees in Music Education and Choral Composition from San Jose State University and a DMA in Choral Conducting from the University of Washington. Shaw has studied improvisation directly with vocal legends including Bobby McFerrin, Mark Murphy, Al Jarreau, and Jon Hendricks.

With more than 2,500 choral arrangements and compositions in print, Shaw's music has sold nearly 20 million copies worldwide and earned him multiple ASCAP awards. His creative reach extends beyond sheet music: he has produced hundreds of educational recordings, overseen five college-university albums, performs with the a cappella group Just 4 Kicks, and recently completed a musical adaptation of Dickens' A Christmas Carol with his wife, Markita. His gift for infusing humor and accessibility into sophisticated musical concepts has established him as a leading voice in choral education.

Why we love this

Shaw's ragtime piece captures everything that makes pop-adjacent choral music work on stage: genuine rhythmic drive, singable voicing that doesn't sacrifice harmonic interest, and built-in entertainment value that engages both performers and audiences. The optional instrumental parts elevate what could be a purely vocal arrangement into something with real textural variety and professional polish without requiring a full pit band.

What to expect

Upbeat and propulsive, with the swagger of early 20th-century ragtime filtered through a modern choral sensibility. The piece carries genuine energy and optimism, inviting singers and audiences alike into its rhythmic momentum without ever feeling forced or overly clever.

Who it's for

This piece works for mixed choirs of intermediate ability and above who want to tackle a style that feels contemporary and fun without requiring complex voicings or extended techniques. Choirs preparing pop or secular-focused concerts will find it especially valuable, as will directors looking to add rhythmic and stylistic variety to their season.

How to get the most out of it

  • Lock the rhythmic groove early in rehearsals by isolating the syncopated passages and conducting them with clear subdivision so singers internalize the ragtime swing
  • Layer in instrumental parts gradually; begin with full choir and recorded accompaniment, then add live instruments one section at a time to maintain clarity and rhythmic cohesion
  • Emphasize articulation in the rhythmic figures to match the crisp, bouncy character of the style rather than letting lines blur together

How to use it

Position this in the second half of a concert where the audience is warmed up and ready to move with the music. Its infectious rhythm pairs well after a set of more introspective pieces, or use it as an effective opener if you want to grab attention immediately and establish an upbeat tone for the evening.

Skills your students will build

  • Syncopated rhythm reading and execution in a stylistic context
  • Blend and balance between choral and instrumental timbres
  • Swing articulation and phrasing appropriate to ragtime idiom
  • Rhythmic precision and groove awareness

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