It's Possible (In McElligot's Pool): SoundTrax Digital Audio Download

Flaherty's pop choral arrangements sit in that sweet spot where they sound contemporary and fun without requiring vocal gymnastics or asking singers to sustain uncomfortable ranges. The recorded accompaniment gives your singers an immediate connection to the Broadway sound, making this a natural fit for choirs wanting to program something with genuine theatrical energy that still feels achievable.

Optimistic and theatrical in the best sense: the kind of music that makes singers want to communicate directly to the audience rather than hide in the ensemble. The arrangement captures the whimsy of its source material while maintaining the kind of accessible melodic writing that stays with singers long after rehearsal ends.

This arrangement works for mixed choirs at the high school level and up, as well as adult community and church choirs looking to expand beyond traditional repertoire. Singers should be comfortable with pop-influenced harmonic language and the rhythmic flexibility that comes with music written for theatrical performance.

• Listen through the accompaniment track several times before rehearsal to internalize the harmonic language and groove, especially if your singers are less familiar with contemporary pop-influenced writing.
• Shape the melodic line with intention during the chorus sections; these melodies are designed to sit forward, so encourage clear diction and confident projection rather than blending into the harmony.
• Let the recorded accompaniment drive the tempo and feel rather than fighting it, particularly in the rhythmic sections where the groove matters as much as the notes.

This pairs beautifully on a concert featuring other contemporary pop or film-based choral work, offering directors a way to bridge traditional choral programming with repertoire that engages modern audiences. It also works as a season opener or spring concert selection where you want to signal that your choir sings with range and versatility beyond standard classical material.

• Singing with rhythmic independence alongside a recorded accompaniment
• Balancing melodic clarity with contemporary harmonic language
• Performing theatrical material with appropriate character and energy
• Following recorded accompaniment cues without a live conductor