It's De-Lovely: SATB Choral Octavo
Words and music by Cole Porter / arr. Jay Althouse
Item: 00-PO-0001318
$2.10
Minimum order quantity: 20 copies
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Description
Originally appearing in Cole Porter's 1936 musical Red, Hot, and Blue, this flirtatious duet was also featured in Anything Goes, recently revived on Broadway. Jay's light swing approach makes this classic come alive for today's singers.
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Additional Details
Series:
Alfred Pop Choral Series
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0001318
More about this title
About the Composer: Cole Porter
Cole Porter (1891-1964) was one of the twentieth century's most inventive songwriters, known for his sophisticated harmonies, witty lyrics, and effortless melodic gift. A master of the Broadway musical, Porter wrote standards that remain central to American popular song, blending jazz idioms with classical training to create music that appealed to both cabaret audiences and concert halls.
Why we love this
Jay Althouse's swing-inflected setting captures the playful charm of Porter's original without losing its sophistication. The arrangement sits comfortably for mixed voices while preserving the song's flirtation and grace, making it an excellent choice for programs that need contemporary appeal alongside genuine artistry.
What to expect
Sophisticated flirtation delivered with a knowing wink. The melody floats easily, the harmonies are warm but never cloying, and the swing rhythms give the whole piece a contemporary ease that makes it feel both timeless and alive.
Who it's for
Choral directors seeking engaging, accessible repertoire that appeals to singers and audiences alike will find this a natural fit. The SATB voicing works for mixed choirs of intermediate skill, and the Broadway pedigree energizes singers who might feel distant from traditional concert fare.
How to get the most out of it
- Shape the phrases with a light, conversational tone; this duet thrives on intimacy rather than power, so encourage singers to imagine they're trading remarks across a room.
- Balance the voice parts carefully so that neither melody dominates. The interplay between lines is what makes the piece sparkle.
- Use the recorded accompaniment to lock the swing feel early in rehearsal; Porter's syncopation sits differently than concert music, and the recording models the rhythmic pocket clearly.
- Keep articulation crisp and diction forward; witty lyrics need space to land, and the swing style demands rhythmic precision over legit sustain.
How to use it
Pair this with other American standards or Broadway selections for a concert that showcases the choral tradition's connection to popular song. It also works beautifully as a palate cleanser between heavier classical or spiritual works, offering singers and listeners a moment of genuine pleasure and ease.
Skills your students will build
- Singing swing rhythms and syncopated phrasing
- Balancing independent melodic lines in a duet texture
- Articulation and diction at a conversational tempo
- Interpreting jazz-inflected harmonies with proper harmonic support