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It's De-Lovely: Choral Octavo SoundTrax CD

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It's De-Lovely Cover Image

It's De-Lovely: Choral Octavo SoundTrax CD

Words and music by Cole Porter / arr. Jay Althouse

Item: 00-37989

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Description
Originally appearing in Cole Porter's 1936 musical Red, Hot, and Blue, this flirtatious duet was also featured in Anything Goes, recently revived on Broadway. Jay's light swing approach makes this classic come alive for today's singers.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081424613
SKU: 00-37989

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) was an American composer and lyricist whose sophisticated melodies and witty, urbane lyrics defined the Golden Age of Broadway and American popular song. His catalogue spans four decades of theatrical innovation, from Anything Goes to Kiss Me, Kate, establishing him as one of the most influential songwriters of the twentieth century. Porter's harmonic inventiveness and gift for marrying clever wordplay to memorable melody made him a master of both romantic ballads and comedic character songs.

Why we love this

Jay Althouse's swing-inflected arrangement captures the playful flirtation of Porter's original without requiring a full pit orchestra or sophisticated vocal ranges that alienate younger singers. The piece fits neatly into pop choral programming while honoring the harmonic sophistication that makes Porter endure. Recording an accompaniment CD means your singers hear exactly what they're singing against, removing guesswork from rehearsal.

What to expect

A conversation over cocktails, charming and slightly flirtatious, with the ease of a musical theater duet that sparkles without demanding technical virtuosity. The swing arrangement brings contemporary life to a 1930s classic, making it feel like a song your singers have always known.

Who it's for

Mixed choirs and show choirs looking for repertoire with Broadway credibility and popular appeal. The piece works equally well for high school ensembles and college recreational choirs seeking repertoire that connects to musical theater audiences.

How to get the most out of it

  • Treat the phrasing conversationally. This is a duet between two people, not an ensemble announcement. Even when voices overlap, clarity of individual lines matters more than blended mass sound.
  • Dial back the vibrato on solo passages. The lightness of Althouse's swing arrangement calls for cleaner articulation and less classical operatic weight.
  • Lock the rhythm section parts (bass and any optional instruments) to the recorded accompaniment track before full ensemble runs. This grounds the ensemble's sense of swing feel.

How to use it

Program this alongside other Cole Porter standards or as a lighthearted contrast to weightier choral fare in a concert mixing classical and popular traditions. It works particularly well as part of a musical theater medley or a show choir set list where audience familiarity with Anything Goes adds recognition.

Skills your students will build

  • Rhythmic flexibility and swing articulation
  • Balancing solo and ensemble textures in a duet framework
  • Lyrical clarity and conversational phrasing in a comedic context
  • Listening and blending with recorded accompaniment

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