It's All Right: SATB Choral Octavo
Inspired by Jon Batiste for the movie Soul
Words and music by Curtis Mayfield / arr. Robert T. Gibson
Item: 00-PO-0006729
$2.25
Minimum order quantity: 20 copies
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Description
Jon Batiste's cover for Pixar's Soul brings this feel-good Curtis Mayfield song to a whole new generation. Built on a soulful groove, jazzy twists, and and upbeat vibe, it's everywhere! First made famous by The Impressions, a 60s group of which Mayfield was a member, this happy hit has stood the test of time, recorded by many diverse artists over the years. The arranger adds his own authentic touch with some gospel inflections and interjections. "It's all right, have a good time, 'cause it's all right!"
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Additional Details
Series:
Alfred Pop Choral Series
Publisher:
Alfred Music
Page Count:
16
SKU:
00-PO-0006729
More about this title
About the Composer: Curtis Mayfield
Curtis Mayfield (1942-1999) was a singer, songwriter, and guitarist who shaped soul music and social consciousness in equal measure. As a founding member and primary voice of The Impressions, he helped define the sound of 1960s soul while writing songs that spoke directly to the African American experience and the civil rights movement. His ability to craft infectious melodies alongside meaningful lyrics made him one of the most influential songwriters of his generation.
Why we love this
Robert T. Gibson's arrangement honors the original's infectious groove while adding gospel texture and contemporary choral color that resonates with today's singers. The piece sits comfortably for mixed voices, lets your sopranos and altos shine on the main hook, and carries genuine warmth that connects to audiences instantly. It's the rare crossover hit that works as real music, not just novelty programming.
What to expect
Warm, upbeat, and grounded in soul tradition. The piece moves with an easy confidence, built on steady groove and joyful harmonies that make singers feel good while they're performing. There's an undeniable lightness here, yet the arrangement respects the song's foundation in genuine musical craft.
Who it's for
Any SATB choir looking for something energetic and accessible that audiences will recognize and enjoy. This works for concert choirs, show choirs, community groups, and high school ensembles seeking contemporary material with real substance. It's especially valuable for directors building programs that reflect current popular music and cultural relevance.
How to get the most out of it
- Lock into the groove from the first rehearsal. The rhythmic pocket matters more than perfect intonation here; think ensemble funk, not classical precision.
- Let the gospel inflections breathe naturally. Don't oversing the interjections; they land harder when they feel conversational and spontaneous.
- Balance the recorded accompaniment carefully so it supports without overwhelming. Your singers need to hear each other in the inner parts.
How to use it
Place this as an opener or closer to energize your audience and set a contemporary tone. It pairs well with other pop or soul-influenced pieces in the same concert, or stands alone as a bright accent in a classical program. The recorded accompaniment option makes it flexible for both full rehearsal settings and smaller performance venues.
Skills your students will build
- Singing over a rhythmic groove while maintaining vocal line clarity
- Gospel-inflected phrasing and stylistic interjections
- Ensemble balance in a pop/soul arrangement
- Connecting contemporary popular music to 1960s soul traditions