It's All Right Cover Image

It's All Right: Choral SoundTrax CD

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It's All Right Cover Image

It's All Right: Choral SoundTrax CD

Inspired by Jon Batiste for the movie Soul

Words and music by Curtis Mayfield / arr. Robert T. Gibson

Item: 00-48965

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Description
Jon Batiste's cover for Pixar's Soul brings this feel-good Curtis Mayfield song to a whole new generation. Built on a soulful groove, jazzy twists, and and upbeat vibe, it's everywhere! First made famous by The Impressions, a 60s group of which Mayfield was a member, this happy hit has stood the test of time, recorded by many diverse artists over the years. The arranger adds his own authentic touch with some gospel inflections and interjections. "It's all right, have a good time, 'cause it's all right!"

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081562896
SKU: 00-48965

More about this title

About the Composer: Curtis Mayfield

Curtis Mayfield (1942-1999) was a singer, songwriter, and guitarist who shaped soul and funk music through his work with The Impressions and as a solo artist. His compositions combined social consciousness with infectious grooves, earning him recognition as one of the most influential voices in American popular music. Beyond his performing career, Mayfield's songwriting demonstrated how accessible melodies and positive messages could reach across generations and genres.

Why we love this

Robert T. Gibson's arrangement captures the infectious optimism of Mayfield's original while layering in gospel textures and contemporary sensibility that connects with today's singers. The Jon Batiste version from Soul has introduced this classic to students who might not otherwise encounter it, making it a perfect bridge between vintage soul and current repertoire. Programming this gives your choir a chance to explore authentic R&B and gospel idioms without feeling like a throwback.

What to expect

Warm, infectious, and celebratory. Built on a soulful groove that invites movement and natural phrasing, the arrangement weaves jazzy chords and gospel touches that create moments of genuine exuberance. This is music designed to make people feel good, and it does.

Who it's for

Choirs looking for contemporary pop repertoire with genuine soul and historical depth will find immediate connection here. The recorded accompaniment makes it accessible for groups without a full rhythm section, while the arrangement offers enough harmonic and textural interest to challenge intermediate to advanced singers.

How to get the most out of it

  • Anchor the groove by locking the rhythm section (bass, drums, piano) with the recorded accompaniment during rehearsals; once your singers feel that pocket, add the harmonies on top.
  • Shape the gospel inflections and interjections with intentional dynamics and space. These moments land hardest when they're not rushed.
  • Balance the soulful lead voice against the ensemble. This isn't about the soloists overpowering the choir; it's about conversation.
  • Explore the rhythmic flexibility within the jazzy twists. Your singers should feel comfortable sitting slightly behind or ahead of the beat where Gibson's arrangement calls for it.

How to use it

Place this in a spring or end-of-year concert where lighter, uplifting energy serves your program. It works beautifully alongside other contemporary pop selections or as a palate cleanser between heavier classical or art song numbers. The recorded accompaniment also makes it a strong option for assemblies, pep rallies, or community events where your choir needs to sound polished with minimal setup.

Skills your students will build

  • Singing with a contemporary R&B/pop groove and understanding rhythmic swing
  • Interpreting gospel inflections, call-and-response, and interjections authentically
  • Balancing ensemble harmony with soloist prominence
  • Following recorded accompaniment while maintaining independent vocal lines
  • Phrasing and dynamics within a soulful, expressive context

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