It Is Well with My Soul Cover Image

It Is Well with My Soul

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It Is Well with My Soul Cover Image

It Is Well with My Soul

By Philip P. Bliss / arr. Timothy DeWitt

Item: 81-BC2970

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Description
It Is Well with My Soul has become perhaps one of the most cherished hymns in the Christian tradition, and certainly one of the most well-known of those composed by Philip Bliss. Its message of hope and comfort (even through times of grief and uncertainty) has been a profound inspiration for many, confirmed by audience response to performances of this arrangement by Timothy DeWitt. This arrangement is for brass sextet---2 trumpets, horn, trombone, euphonium, tuba. (3:45)

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 12
ISBN10: 1-55473-474-6
ISBN13: 978-1-55473-474-0
UPC: 685462014750
SKU: 81-BC2970

More about this title

About the Composer: Philip P. Bliss

Philip P. Bliss (1838, 1876) was a prolific composer and gospel musician whose work shaped the sound of 19th-century American hymnody. Writing during the height of the gospel music movement, Bliss created melodies and texts that combined theological depth with memorable, singable lines, a balance that made his work spread rapidly through churches and revival meetings. His output was staggering for his brief lifetime; he died in a railway accident at 38, leaving behind a legacy of hymns that remain standards in Christian worship today.

Bliss had a gift for setting profound spiritual truths to music that listeners could absorb and remember after a single hearing. "It Is Well with My Soul" exemplifies this gift: its text and tune work together to express faith in the face of suffering, a theme that continues to resonate across generations and musical settings.

Why we love this

Timothy DeWitt's arrangement honors the hymn's emotional core while giving brass musicians a vehicle that feels substantial and rewarding to play. The sextet texture provides enough color and independence to keep each line engaged without drowning out the melody, and three minutes and forty-five seconds allows the arrangement to breathe without overstaying its welcome. This is the kind of program piece that lands with quiet power.

What to expect

The arrangement carries the hymn's essential character of quiet steadiness and inner confidence. Rather than bombast, it builds its effect through lyrical phrasing, warm harmonic colors, and moments where the texture thins to let the melody shine through. There's a peacefulness in the way the voices move together, reflecting the hymn's message of faith sustained through difficulty.

Who it's for

This arrangement works for brass ensembles at the upper high school or collegiate level, or for church music programs seeking repertoire that honors a well-loved hymn while pushing players beyond unison singing. It's ideal for groups with solid fundamentals in intonation and blend who are ready to balance individual voices within an ensemble texture.

How to get the most out of it

  • Balance the lead line with the harmonic support around it. The euphonium and trombone often carry important inner voices; let them speak so the arrangement's full architecture is audible.
  • Shape the phrasing by thinking of the text, even though you're playing instruments. The melodic contour should suggest the emotional arc of each verse.
  • Bring the tuba section into focus during sustained passages where it anchors the harmony. A present (not overbearing) low end makes the arrangement sit firmly.

How to use it

Pair this with other sacred or spiritual works to create a cohesive set, or open a concert with it to establish a reflective mood. Churches with active brass programs can use it as a bridge between traditional hymn singing and contemporary ensemble performance. It also works well as a memorial or dedication piece, where its substance and emotional clarity serve the moment without requiring elaboration.

Skills your students will build

  • Balancing independent lines within an ensemble texture
  • Sustaining phrasing across longer melodic arcs
  • Blending harmonically while maintaining individual voice clarity
  • Responding to harmonic language that prioritizes lyrical expression over technical display

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