Iron Foundry: Machine Music (Zavod: Muzyka Mashin), Op. 19 Cover Image

Iron Foundry: Machine Music (Zavod: Muzyka Mashin), Op. 19: Full Orchestra, Conductor Score & Parts

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Iron Foundry: Machine Music (Zavod: Muzyka Mashin), Op. 19 Cover Image

Iron Foundry: Machine Music (Zavod: Muzyka Mashin), Op. 19: Full Orchestra, Conductor Score & Parts

By Alexander V. Mosolov

Item: 36-A812702

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Description
The most well-known work by Soviet composer Alexander Mosolov (1900 - 1973) is IRON FOUNDRY: MACHINE MUSIC (ZAVOD: MUZYKA MASHIN), originally from the ballet STAL (STEEL). This work is a prime example of Soviet futurist music with avant-garde influences from Mosolov's teachers Nikolai Myaskovsky, Dmitri Shostakovich. The ballet was never staged however, IRON FOUNDRY was presented as the first movement of an orchestral suite from the ballet at its' premiere in Moscow. The remaining three movements of the suite have been lost. The premiere took place on December 4, 1927 at a concert by the Association for Contemporary Music commemorating the tenth anniversary of the Russian Revolution. Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: 4.3.2+BTbn.1: Timp.Perc (5): Str (9.8.7.6.5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 612735907556
SKU: 36-A812702
Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: 4.3.2+BTbn.1: Timp.Perc (5): Str (9.8.7.6.5 in set)

More about this title

About the Composer: Alexander V. Mosolov

Alexander Mosolov (1900-1973) was a Soviet composer who studied under Nikolai Myaskovsky and absorbed influences from Dmitri Shostakovich during formative years in post-Revolutionary Russia. His compositional voice embraced modernist and futurist aesthetics, marking him as a significant figure in early Soviet musical culture before political pressures constrained avant-garde experimentation.

Why we love this

Iron Foundry endures because it captures a specific historical moment and compositional boldness that still thrills orchestras and audiences. The piece's sonic architecture and rhythmic drive make it a natural anchor for programming that explores early 20th-century modernism, and its prominence in Mosolov's catalog means performers get to engage with genuine Soviet futurist aesthetics rather than a historical curiosity.

What to expect

Iron Foundry immerses you in the sonic landscape of an industrial facility; relentless mechanical rhythms, angular melodic fragments, and clashing instrumental colors create a visceral portrait of technological progress. The work throbs with kinetic energy and modernist intensity, invoking both the optimism and austere power of early Soviet aesthetics.

Who it's for

Advanced youth orchestras, collegiate ensembles, and professional orchestras seeking substantial 20th-century repertoire with historical significance. Conductors programming modernist works will find this piece essential for introducing orchestras to Soviet futurism and the compositional language of the 1920s.

How to get the most out of it

  • Establish the pulse early in sectional rehearsals; the machine-like repetitions demand rhythmic precision from all parts, particularly the percussion section which functions as the driving mechanical heartbeat.
  • Blend the lower brass prominently when the bass trombone and tuba enter; this weight is integral to the industrial sound world Mosolov creates.
  • Balance the woodwind doublings (piccolo, English horn, bass clarinet, contrabassoon) so they articulate clearly without muddying the orchestral texture, especially during dense scoring passages.
  • Allow the string section's rhythmic figures to breathe slightly during transitions, preventing mechanical rigidity from becoming monotonous across the full duration.

How to use it

Position this as a centerpiece for a concert exploring early Soviet modernism or 20th-century machine-age aesthetics. It pairs effectively with other futurist or industrial-themed works, or contrasts compellingly against Romantic or contemporary pieces to highlight the range of orchestral sound worlds available to conductors.

Skills your students will build

  • Balancing expanded orchestration with extreme dynamic ranges
  • Executing precise rhythmic unisons across diverse instrument families
  • Interpreting modernist harmonic language and dissonant textures
  • Managing the technical demands of bass clarinet, English horn, and contrabassoon exposed passages
  • Sustaining ensemble focus during repetitive ostinatos and mechanical figures

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