Iron Foundry: Machine Music (Zavod: Muzyka Mashin), Op. 19 Cover Image

Iron Foundry: Machine Music (Zavod: Muzyka Mashin), Op. 19: Full Orchestra, Conductor Score

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Iron Foundry: Machine Music (Zavod: Muzyka Mashin), Op. 19 Cover Image

Iron Foundry: Machine Music (Zavod: Muzyka Mashin), Op. 19: Full Orchestra, Conductor Score

By Alexander V. Mosolov

Item: 36-A812701

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The most well-known work by Soviet composer Alexander Mosolov (1900 - 1973) is IRON FOUNDRY: MACHINE MUSIC (ZAVOD: MUZYKA MASHIN), originally from the ballet STAL (STEEL). This work is a prime example of Soviet futurist music with avant-garde influences from Mosolov's teachers Nikolai Myaskovsky, Dmitri Shostakovich. The ballet was never staged however, IRON FOUNDRY was presented as the first movement of an orchestral suite from the ballet at its' premiere in Moscow. The remaining three movements of the suite have been lost. The premiere took place on December 4, 1927 at a concert by the Association for Contemporary Music commemorating the tenth anniversary of the Russian Revolution. Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: 4.3.2+BTbn.1: Timp.Perc (5): Str (9.8.7.6.5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563533-7
ISBN13: 979-889-563-5339
UPC: 612735779283
SKU: 36-A812701
Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: 4.3.2+BTbn.1: Timp.Perc (5): Str (9.8.7.6.5 in set)

More about this title

About the Composer: Alexander V. Mosolov

Alexander Mosolov (1900-1973) came of age during the Russian Revolution, and his music reflects the ideological ferment of Soviet modernism. A student of Nikolai Myaskovsky and later a colleague of Dmitri Shostakovich at the Moscow Conservatory, Mosolov embraced avant-garde techniques and futurist aesthetics that aligned with Soviet utopian visions of the machine age. Though he later faced political pressure during Stalin's cultural purges and moved away from experimental work, his early compositions remain vital documents of 1920s Soviet artistic ambition.

Iron Foundry stands as Mosolov's most enduring contribution to the concert repertoire. Written for the unrealized ballet Steel, this orchestral work channels the energy and disruption of industrial modernism into a visceral musical statement. The piece demonstrates his mastery of orchestral color and his willingness to push conventional harmonic and rhythmic boundaries in service of a powerful artistic vision.

Why we love this

Iron Foundry delivers genuine dramatic impact without requiring your orchestra to have studied contemporary music for months. The piece announces itself immediately through rhythmic drive and orchestral color that even younger players find energizing. Conductors appreciate how effectively Mosolov communicates his futurist vision through clear structural gestures and instrumental writing that sits well across the ensemble.

What to expect

Iron Foundry immerses you in a sonic representation of mechanical labor: relentless, driving, and hypnotic. The orchestration crackles with industrial energy, layering rhythms and timbral surprises that evoke the clank and rumble of factory machinery. Yet beneath the mechanical surface lies genuine harmonic sophistication and moments of startling lyricism that humanize the machine.

Who it's for

This conductor score is for orchestras with the resources to field a full complement including piccolo, English horn, bass clarinet, contrabass, and a five-person percussion section. The work suits advanced high school, college, and professional orchestras prepared for twentieth-century modernist aesthetics and the technical demands of Soviet futurism.

How to get the most out of it

  • Establish the machine-like pulse from the opening moments. This work thrives on relentless rhythmic propulsion; even small fluctuations in tempo undermine the mechanical intensity Mosolov intends.
  • Balance the prominence of the percussion section carefully. The five percussionists drive the work's energy, but they should reinforce rather than overwhelm the melodic and harmonic content in the winds and strings.
  • Shape the work's sectional contrasts deliberately. Mosolov shifts between dense, grinding textures and moments of orchestral clarity; marking these transitions in your score helps the ensemble hear the larger architecture.
  • Prepare your strings for the exposed, often angular writing. The divided string parts require intonation discipline, particularly in the dissonant passages that define the work's avant-garde character.

How to use it

Iron Foundry works powerfully as the centerpiece of a twentieth-century concert, where it can anchor programming around Soviet modernism or machine-age aesthetics. Its five-minute duration and immediate impact also make it an effective opening work for a concert seeking to establish energy and artistic ambition from the first notes. Pair it with works that explore similar instrumental innovation or avant-garde sensibilities.

Skills your students will build

  • Reading complex, dense orchestral textures with frequent divisi
  • Maintaining precise rhythmic coordination in mechanistic, repetitive figures
  • Navigating dissonant harmonic language and angular melodic writing
  • Responding to clear gestural conducting in a twentieth-century modernist context
  • Executing rapid ensemble balance adjustments across changing orchestral combinations

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