Irish Legend Cover Image

Irish Legend: String Orchestra Conductor Score

$15.00 USD
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Irish Legend Cover Image

Irish Legend: String Orchestra Conductor Score

By Robert Kerr / arr. Soon Hee Newbold

Grade: 4

Item: 98-ST6155S

$15.00
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Description
Showcase your strings with fire and flair in the style of Riverdance and traditional Celtic music! Written by Robert Kerr and arranged for strings by Soon Hee Newbold, this air and jig is a dramatic finale to any concert. Dazzling violin solos (both lyrical and technical) and highly rhythmic passages accompanied by drum set really set this work apart. Optional piano and harp add to the ethnic sound of a work destined to bring down the house. The ultimate closer!

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Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 241444555194
SKU: 98-ST6155S

More about this title

Why we love this

The arrangement captures the kinetic energy of Celtic dance music without requiring your orchestra to learn entirely new idioms. Soon Hee Newbold's orchestration balances virtuosic violin writing against driving rhythmic textures, giving you multiple layers to build during rehearsal and several moments where different sections truly shine.

What to expect

Fire and momentum. The piece builds from contemplative air into unbridled rhythmic drive, with the violin soloists dancing through passages that feel both lyrical and visceral. By the end, the whole ensemble is locked into the kind of infectious groove that makes audiences leap to their feet.

Who it's for

String orchestras at the intermediate level looking for a finale with genuine excitement and crossover appeal. This works equally well for programs that want to showcase technical violin playing or for schools looking to build audience connection through accessible, high-energy music.

How to get the most out of it

  • Shape the air section with long, singing lines in the first violins; this lyrical material needs room to breathe before the jig's rhythmic intensity kicks in.
  • Lock the drum set and string pizzicato rhythms together early in rehearsals. These two forces anchor the groove that makes the jig feel authentic.
  • Highlight the violin solos by having the accompanying strings play with lighter articulation and reduced volume. The soloists need to cut through without strain.
  • Use the optional piano and harp parts strategically; even if you have them available, consider where their textural additions serve the drama best rather than playing them throughout.

How to use it

Reserve this for your closing number when you want the concert to end on a note of pure energy. The contrast between the air's reflective opening and the jig's propulsive close makes it ideal for a two-movement structure that takes audiences on a journey rather than leaving them calm.

Skills your students will build

  • Executing rapid passage work with clarity and precision in the upper strings
  • Maintaining rhythmic cohesion in mixed-meter jig contexts with syncopation
  • Balancing lyrical phrasing in solo passages against accompanying ensemble texture
  • Coordinating string articulation and pizzicato with percussion in dance-style rhythmic contexts
  • Understanding Celtic melodic and rhythmic conventions and how to voice them authentically

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