In the Spotlight! Sheet Music Preview

In the Spotlight!: 2-Part (with Opt. Staging) Choral Octavo

Music by Sally K. Albrecht and Jay Althouse

Item: 00-PO-0004151

Digital Download
$2.25

Minimum order quantity: 20 copies

Description
Broadway, here we come, with this bright, bouncy number featuring clever lyrics, a 2-beat feel, and a rousing finish. "I want to be in the spotlight. I want to be in a show!" As a concert opener or as a theme for your concert, it's simply the best! The 3-part edition has optional low notes for your boys with changed voices. The classic SoundTrax CD is a winner...just what your singers need to sound their Broadway best. Sally's staging is included in the publication and on her "In the Spotlight!" Video, #19803.

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Sample Audio
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Sample Video
Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0004151

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for over three decades, serving as Director of School Choral, Vocal, and Elementary Publications at major educational publishers, most recently Alfred Music. A prolific composer with more than 600 published works and 75 songbooks and musicals in circulation, she has been a consistent recipient of the ASCAP Special Music Award annually since 1987. Her conducting has taken her across the country to honor choirs and prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center.

Albrecht's dual expertise in music and theater informs her distinctive approach to choral composition, particularly her pioneering work with choral movement and staging. She holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees.

Why we love this

Albrecht and Althouse craft a piece that feels genuinely theatrical without sacrificing singability. The 2-beat feel and clever lyrics create immediate momentum, making it an ideal opener that energizes both singers and audience from the first moment. The included staging directions give you everything you need to move beyond a standing formation and create a concert moment that feels like real theater.

What to expect

Bright and effervescent, with the infectious optimism of a Broadway audition song. The bouncy 2-beat rhythmic feel propels the piece forward, while the clever lyrics about wanting center stage give the whole number a winking, good-natured charm. It's the sound of anticipation and confidence rolled into one buoyant musical statement.

Who it's for

Directors programming a concert opener that combines solid musicality with theatrical energy will find this indispensable. The 2-part voicing makes it accessible to younger choirs, intermediate ensembles, and mixed groups with limited male singers, while the optional staging lifts it beyond a standard choral reading. This works equally well as a standalone novelty number or as a thematic anchor for your full concert.

How to get the most out of it

  • Keep the 2-beat feel bright and bouncy throughout; the energy is as much a part of the character as the melody itself.
  • Dig into the diction on the title phrase to make the lyrics land with confidence and clarity.
  • Use the recorded accompaniment to lock the tempo and feel; it will anchor your singers' sense of style and drive.
  • Choreograph Albrecht's staging suggestions deliberately; commit to the movement as fully as you commit to the singing.

How to use it

Open your concert with this; it sets an immediate tone of fun and engagement. It also serves beautifully as a thematic bookend if you're building a program around performance, showcase, or talent themes. The optional staging means you can scale the production from a simple sung opener to something more choreographed, depending on your rehearsal time and performance goals.

Skills your students will build

  • Maintaining steady 2-beat feel in pop/Broadway style
  • Clear diction and projection in novelty song repertoire
  • Basic movement and staging coordination with singing
  • Blend and balance in 2-part voicing
  • Performance confidence and stage presence

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