In the Pretty Springtime Cover Image

In the Pretty Springtime: PianoTrax Digital Audio Download

$9.99 USD
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In the Pretty Springtime Cover Image

In the Pretty Springtime: PianoTrax Digital Audio Download

Words by William Shakespeare and Thomas Morley, music by Michael Larkin

Item: 00-A-00014671

$9.99
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00014671

More about this title

About the Composer: Michael Larkin

Michael Larkin

Michael Larkin spent nearly three decades leading the Vocal/Choral Department at the Music School of Delaware while maintaining a private studio as artist faculty voice teacher. His influence extends across the region as founder and music director of the New Ark Chorale, one of the Delaware Valley's most respected choral organizations, and as conductor of the Brandywine Pops Orchestra.

Larkin's compositional output exceeds 300 works across choral, vocal, piano, and orchestral genres, published by the nation's largest music houses. He remains active as a baritone soloist, guest conductor, and clinician at major music festivals and competitions.

Why we love this

Larkin brings a composer's ear for singability and a conductor's understanding of what works in a rehearsal room. This is music written by someone who has spent decades listening to choirs and knows exactly where to place the musical moments that resonate.

What to expect

Spring arrives on the page with genuine warmth rather than saccharine sentiment. The music conveys renewal and natural beauty through clear, honest harmonic language that feels both fresh and grounded.

Who it's for

This recording serves choirs of all levels looking for a straightforward, musically rewarding secular piece. It works equally well for high school groups developing performance confidence and community choirs seeking accessible material with substance.

How to get the most out of it

  • Balance the harmonic movement by asking singers to think through phrase-level architecture rather than note-to-note. Larkin's voice-leading rewards singers who understand how their line connects to the larger harmonic shape.
  • Let the recorded accompaniment guide tempo initially, then find the natural breathing points where your ensemble wants to settle. The accompaniment is a model, not a constraint.
  • Emphasize the text's imagery early in rehearsal. Spring imagery unlocks the character of the piece and helps singers commit to the emotional arc.

How to use it

Slot this into a spring concert as an opener that establishes a bright, optimistic tone before moving into heavier fare. Its accessibility also makes it an excellent teaching piece mid-season when you want to focus on interpretation rather than fundamental technique.

Skills your students will build

  • Phrase shaping with attention to harmonic rhythm
  • Text-painting and interpretive choices in secular music
  • Blending in four-part homophonic writing
  • Working confidently with recorded accompaniment in performance

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