In the Hall of the Mountain King (from <i>Peer Gynt Suite</i>) Cover Image

In the Hall of the Mountain King (from <i>Peer Gynt Suite</i>): Brass Quintet Score & Parts

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In the Hall of the Mountain King (from <i>Peer Gynt Suite</i>) Cover Image

In the Hall of the Mountain King (from Peer Gynt Suite): Brass Quintet Score & Parts

By Edvard Grieg / arr. David Marlatt

Level: Medium-Difficult

Item: 81-BQ27249

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Description
The sequence in which In the Hall of the Mountain King is used is when Peer sneaks into the Troll Mountain King's castle. The piece is played when Peer attempts to escape from the King. Peer Gynt's slow, careful footsteps are played by the trombone and tuba. The footsteps of the King's trolls are played quietly by other instruments. When the trolls spot Peer, they give chase and the music begins to speed up to a wild finish!

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 685462002887
SKU: 81-BQ27249
Instrumentation: Brass Quintet

More about this title

About the Composer: Edvard Grieg

Edvard Grieg (1843-1907) was a Norwegian composer who shaped Romantic music through his deep connection to Scandinavian culture and folk traditions. His orchestral works, particularly the Peer Gynt suites written for Henrik Ibsen's play, remain cornerstones of the concert repertoire and essential teaching pieces for understanding how composers draw narrative and drama from instrumental color.

Grieg's genius lay in his ability to create vivid musical storytelling without sacrificing harmonic sophistication. His melodies are instantly memorable, yet his orchestrations reveal layers of detail that reward repeated listening and study. For music educators, his work demonstrates how accessible, tuneful writing can still challenge players technically and musically.

Why we love this

David Marlatt's arrangement transforms this orchestral showpiece into a vehicle for brass quintet virtuosity without losing Grieg's narrative drive. The piece demands precision ensemble playing, dynamic control, and rhythmic coordination, yet the familiar melody ensures your audience stays engaged from the creeping opening to the frenzied final bars. This is one of those rare arrangements that feels as satisfying to play as it is to hear.

What to expect

You move through darkness on tiptoe, every sense heightened. Suddenly the air shifts. Danger materializes around you, rising in volume and urgency, until you're running full-tilt through a cacophony of pursuing voices. The piece captures mounting tension and panic with orchestral color that a brass quintet executes with stunning clarity.

Who it's for

Brass quintet programs looking for a crowd-pleasing masterwork that combines immediate appeal with genuine musical substance. This arrangement works equally well for contests, educational concerts, or community performances where you want to demonstrate that classical music tells stories.

How to get the most out of it

  • Shape the opening trombone and tuba line as deliberate, measured footsteps. Slightly detach each note and keep the dynamic consistently soft; this establishes the foundation for everything that follows.
  • Build the tempo increase gradually through the middle section rather than jumping suddenly. Let the acceleration feel inevitable, mirroring Peer's rising panic.
  • Balance the accompanimental voices in the quieter trolley sections so they support rather than overpower the main melodic line. Think of them as whispered commentary.
  • Nail the final acceleration together by establishing a rock-solid pulse in the rhythm section from rehearsal one. The wild finish demands absolute rhythmic unity.

How to use it

Program this alongside other Grieg orchestral excerpts or Romantic-era character pieces to build a thematic concert exploring musical narrative. It also pairs naturally with other programmatic brass quintet arrangements, where audiences enjoy the storytelling element. Consider it for a Halloween or autumn concert where dramatic flair enhances the event.

Skills your students will build

  • Control of gradual tempo acceleration without losing ensemble cohesion
  • Dynamic gradation from pppp to ff within a single phrase
  • Rhythmic precision during syncopated accompaniment figures
  • Coordinating melodic and accompanimental roles in a quintet texture
  • Articulation clarity across extended range changes

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