In the Candlelight Cover Image

In the Candlelight: Choral Octavo SoundTrax CD

$19.95 USD
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In the Candlelight Cover Image

In the Candlelight: Choral Octavo SoundTrax CD

Music by Sally K. Albrecht

Item: 00-21147

$19.95
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Description
Sally Albrecht's text evokes the candle as a universal symbol for "the celebrations we hold dear" in December. In the flickering lights we remember our past and our traditions. Without mentioning any holiday by name, it's appropriate to honor Christmas, Hanukkah, and Kwanzaa. The haunting, captivating melody evokes the wonder of the holiday season.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081200682
SKU: 00-21147

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for decades as a composer, conductor, and clinician with a distinctive focus on movement-integrated choral performance. Since 1987, she has been a consistent recipient of the ASCAP Special Music Award, and her catalog now includes over 600 choral works alongside 75 larger musicals and songbooks. She has conducted honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and spent more than thirty years directing choral and vocal publications for leading educational music publishers, including her role at Alfred Music.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. A native of Cleveland, she has served as Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society and received their "Pillar of Leadership" award. In 2021, both the University of Miami Frost School of Music and Rollins College honored her with Distinguished Alumna Awards. She lives in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht delivers a genuinely inclusive December selection that honors multiple traditions without forcing them together artificially. The text speaks to universal symbols of remembrance and celebration, making it accessible for choirs seeking repertoire that respects their singers' varied backgrounds. Her melody is both accessible and memorable, capturing genuine wonder rather than relying on arrangements of existing holiday songs.

What to expect

The piece evokes quiet reverence and gentle nostalgia. The melody sits in a contemplative register, inviting singers and listeners to slow down and notice the moments we hold close. There's wonder here, but not spectacle—instead, the intimacy of candlelight and memory.

Who it's for

This octavo works for any choir seeking December repertoire that opens conversations about tradition and memory without privileging a single holiday. It's especially valuable for schools and communities with religiously diverse choral singers, and for directors who want something reflective alongside more celebratory seasonal selections.

How to get the most out of it

  • Lean into the candlelight imagery when blocking and staging. The piece invites subtle, focused movement that mirrors the flickering quality of the music rather than broad gestures.
  • Balance transparency in the parts so the melody remains luminous across all voice sections. This is where the haunting quality lives.
  • Use the recorded accompaniment to lock the ensemble's interpretation early in rehearsal, then gradually build independence once the piece is secure.
  • Shape the phrasing with breath and text awareness rather than mechanical dynamics. Let the poem guide your expressive choices.

How to use it

Program this as a moment of reflection within a holiday concert, perhaps between more energetic pieces. It works beautifully as a centerpiece for a December service or assembly, and pairs naturally with other multicultural or sacred selections that share its meditative tone.

Skills your students will build

  • Sustaining tone quality and intonation in slower tempos
  • Singing with expressive restraint and textual nuance
  • Balancing ensemble blend while maintaining vocal independence across parts
  • Responding to accompaniment cues and maintaining rhythmic precision with recorded tracks

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