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In tantum lux: Concert Band Conductor Score & Parts

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In tantum lux Cover Image

In tantum lux: Concert Band Conductor Score & Parts

The Only Light

By Todd Stalter

Grade: 3 (Medium)

Item: 00-44994

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Description
"In tantum lux" (The only light) was written as a memorial and celebration honoring the life of a music educator and her faith, who taught in a small school her entire career and persevered through the challenges and unique demands that teaching small school bands present. The piece also serves as a celebration of every band student and teacher in small schools everywhere who may not have the resources to have a full ensemble, yet strive every day to experience the joy of making music to the fullest just the same. (4:00)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, In tantum lux: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Symphonic
Publisher: Alfred Music
Page Count: 260
ISBN10: 1-4706-6409-7
ISBN13: 978-1-4706-6409-1
UPC: 038081517919
SKU: 00-44994

More about this title

About the Composer: Todd Stalter

Todd Stalter

Todd Stalter spent 34 years as Director of Bands at Eureka High School in Illinois, building one of the state's most celebrated band programs. His marching band captured 16 Class 1A state championships, his concert band earned consistent Superior ratings at IHSA contests, and his ensembles performed at Orchestra Hall in Chicago and Walt Disney World, as well as major bowl game festivals. He was inducted into the Illinois State Marching Band Championships Hall of Fame and has guest conducted All-State Bands in Georgia and Delaware alongside numerous regional honor ensembles.

Beyond the high school podium, Stalter maintains an active schedule as an adjudicator, clinician, and composer. His wind band and string orchestra works are performed internationally and appear on state festival and contest lists across the country. Several of his compositions are featured in the GIA publication "Teaching Music Through Performance in Band." He holds degrees in Music Education and Trumpet Performance from Illinois State University, where he studied conducting with Dr. Stephen K. Steele.

Why we love this

Stalter writes for the band director's reality, not an imaginary full ensemble. This piece honors small school programs with limited resources while delivering substantial musical content that Grade 3 bands can genuinely execute and feel proud of. The four-minute structure and carefully voiced scoring prove that meaningful concert repertoire doesn't require a bloated instrumentation list.

What to expect

Contemplative and earnest, with moments of quiet dignity that feel earned rather than imposed. The piece lets modest forces create something musically coherent and emotionally truthful, celebrating resilience and the simple joy of students making music together.

Who it's for

Band directors at schools with modest instrumentation who need concert repertoire that respects both the constraints and the capabilities of their students. This is also ideal for directors seeking a piece with genuine emotional substance for festival or contest use without requiring instrumentation that doesn't exist in their building.

How to get the most out of it

  • Balance the melodic line across the inner voices in measures where the primary theme migrates away from the trumpets. Sectional rehearsals with woodwinds and horns will clarify the harmonic support underneath.
  • Shape the longer phrases with dynamic intention rather than hitting every marked accent as an isolated event. The memorial character depends on legit music phrasing over percussive execution.
  • Let the tempo breathe slightly during transitions between sections. Small ensembles often rush when they're concentrating on part accuracy; a conductor's clear gesture gives students permission to release.
  • Assign principal players in weaker sections to double their parts with adjacent instruments during rehearsal to build confidence before removing the doubling for performance.

How to use it

Open a concert with this piece to set a reflective tone before moving into livelier work, or close a program with it as a meditation on why you do this job. It also programs well alongside other Grade 3 concert works when building a festival program that highlights musicianship over flash.

Skills your students will build

  • Sustaining long phrases with consistent tone quality in a melodic, non-march context
  • Balancing inner harmonies so ensemble sound blends rather than splinters
  • Responding to conducting gestures that shape phrasing rather than just mark time
  • Building confidence in smaller section parts that carry harmonic weight

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