In Our Children's Eyes Cover Image

In Our Children's Eyes: 2-Part Choral Octavo

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In Our Children's Eyes Cover Image

In Our Children's Eyes: 2-Part Choral Octavo

Music by Stephen Flaherty, lyrics by William Schermerhorn / arr. Jay Althouse

Item: 00-28497

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Description
"We celebrate a joyful sight: our future shining bright tonight. It's reflected in our children's eyes." This stirring new inspirational choral was recently premiered at the Macy's 4th of July televised celebration in New York City, as performed by Anika Noni Rose. Written by Stephen Flaherty, the famed composer of Ragtime, and arranged for choirs by Jay Althouse. Stunning as a finale or joint concert selection.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081310411
SKU: 00-28497

More about this title

About the Composer: Stephen Flaherty

Stephen Flaherty has established himself as one of contemporary musical theater's most prolific composers. His work on Ragtime earned him Tony Award nominations and introduced audiences to sweeping orchestrations paired with emotionally direct melodies that cross genres. His compositional voice consistently combines theatrical sophistication with accessibility, making his work as relevant in concert halls and choral settings as it is on Broadway.

Beyond Ragtime, Flaherty has composed for film, television, and concert music, always with an ear for what makes a melody resonate with performers and listeners alike. His willingness to reimagine his material for different ensembles and contexts reflects a deep understanding of how music functions across performance environments.

Why we love this

This piece arrives with real-world concert credentials. It premiered on national television and brings that polished, celebratory energy into your concert without feeling manufactured. Jay Althouse's arrangement for 2-part voices captures the inspirational core of the original while remaining genuinely singable for diverse choirs, and the text about children and the future lands with authentic warmth rather than sentiment.

What to expect

Warm and forward-looking without veering into saccharine territory. The melody has the directness of a hymn but the contemporary harmonic language of musical theater, creating something that feels both timeless and of the moment. There's a quiet confidence to this piece that allows performers to sing with conviction rather than artifice.

Who it's for

Directors programming concerts that need a finale with genuine uplift and thematic weight. The 2-part voicing works for middle school choirs, community ensembles, and mixed-age groups where a simple but emotionally mature text serves the occasion better than novelty material.

How to get the most out of it

  • Shape the opening phrases with gentle dynamics that allow the hopeful text to emerge naturally. Resist the urge to push too hard early; the piece builds its own momentum.
  • Work with your recorded accompaniment to establish a flexible tempo in rehearsal. The arrangement supports rubato, particularly at phrase endings, so give singers permission to breathe the text rather than strictly metering it.
  • Balance the two voice parts so neither dominates. This arrangement sits comfortably when each part can be heard as a melodic line rather than one voice carrying while the other supports.
  • Let the climactic moments shine through clear diction of the central message about children's eyes and futures. Crisp consonants and sustained vowels will make the inspirational content land with your audience.

How to use it

This octavo functions perfectly as a concert finale, particularly for graduation, family celebration, or community events where the text about children's futures carries programmatic weight. It also pairs well with other contemporary choral selections in a pop or musical theater set, offering emotional lift without requiring extensive vocal range or technical demands from your singers.

Skills your students will build

  • Singing with clear articulation of inspirational text
  • Balancing two independent melodic lines
  • Responding to dynamic shaping that supports emotional storytelling
  • Performing with recorded accompaniment while maintaining ensemble integrity
  • Sustaining legit vocal tone across a moderate range

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