In Memoriam (Mixed Choir) Cover Image

In Memoriam (Mixed Choir): Mixed Voices (SSSATTBB)

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In Memoriam (Mixed Choir) Cover Image

In Memoriam (Mixed Choir): Mixed Voices (SSSATTBB)

By Peteris Plakidis/Words by Bronislava Martuževa/English Translation by Lilija Zobens

Item: 98-MB0209

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Description
A hauntingly beautiful choral work by one of Latvia's most loved composers, Peteris Plakidis. Text by Bron?islava Martuževa (Eva Martuža) (1924-2012), English translation by Lilija Zobens, in Latvian or English. Highly recommended.

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Additional Details
Series: Musica Baltica
Publisher: Musica Baltica
Page Count: 16
ISBN10: 0-7066-5178-2
ISBN13: 979-0-7066-5178-1
SKU: 98-MB0209
Instrumentation: SSSATTBB

More about this title

About the Composer: Peteris Plakidis

Peteris Plakidis stands among Latvia's most significant contemporary composers, with a catalog spanning orchestral, chamber, and choral works that draw deeply from his country's musical and cultural heritage. His compositions are performed internationally and have earned him recognition as a voice of the Baltic musical tradition, combining accessible melodic writing with sophisticated harmonic language.

Why we love this

The expanded soprano section (three parts) creates a luminous, floating quality over the lower voices, allowing for rich harmonic density without overwhelming the text. Plakidis's gift for memorial writing sits in the space between accessible and profound, making this work feel immediate and moving in rehearsal while rewarding careful attention to balance and phrasing.

What to expect

A quiet procession through memory; the harmonic language unfolds gradually, offering moments of brightness alongside deeper, more shadowed passages. The work has the quality of something spoken in hushed tones, intimate despite the size of the ensemble.

Who it's for

Choirs with a solid foundation in blend and intonation who are ready to tackle expanded voicings and more introspective repertoire. The SSSATTBB scoring works best for groups with dependable soprano and tenor sections and singers who can hold independent lines without anchoring themselves to the melody.

How to get the most out of it

  • Shape each phrase with long, connected lines rather than stopping at bar lines; the text and emotional arc matter more than metric divisions.
  • Balance the three soprano lines so they blend as a single voice when needed, then separate them only when the harmony requires individual clarity.
  • Let the English translation sit comfortably in the singers' mouths before rehearsing the Latvian; understanding the text's weight makes both versions resonate.
  • Approach dynamics as emotional gradations rather than technical markings; this music relies on subtle shifts in weight and intensity.

How to use it

This fits naturally into memorial or remembrance concerts, but also works as a centerpiece in a program exploring Baltic or Eastern European choral literature. Consider pairing it with shorter, contrasting works to let its contemplative power breathe without overwhelming the overall arc of your concert.

Skills your students will build

  • Balancing three soprano lines independently while maintaining blend
  • Sustaining tone and phrasing across longer, less rhythmically driven passages
  • Singing text in Latvian with accurate pronunciation and musical expression
  • Shifting between English and Latvian versions while maintaining consistent interpretation
  • Listening to harmonic movement and adjusting intonation in complex vertical sonorities

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