In Love with Rodgers and Hart (A Medley) Cover Image

In Love with Rodgers and Hart (A Medley): Choral Instrumental Score

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In Love with Rodgers and Hart (A Medley) Cover Image

In Love with Rodgers and Hart (A Medley): Choral Instrumental Score

Featuring: Falling in Love with Love / This Can't Be Love / My Funny Valentine / With a Song in My Heart

Arr. Kirby Shaw

Item: 00-CMM05043IN

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Description
Kirby Shaw brings us this extended choral medley (approximately eight minutes) that captures some of the exceptional songs of the songwriting duo of Richard Rodgers and Lorenz Hart. A great addition to any pops concert or use it to lighten up even the heaviest of concerts. Includes: "Falling in Love with Love," "This Can't be Love," "My Funny Valentine," and "With a Song in My Heart."

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 44
ISBN10: 0-7579-4002-1
ISBN13: 978-0-7579-4002-6
UPC: 654979095668
SKU: 00-CMM05043IN
Instrumentation: Horn Score

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw has spent decades shaping choral music education across North America, Europe, and beyond, earning a reputation as both a masterful conductor and prolific arranger. His formal training includes degrees in Music Education and Choral Composition from San Jose State University and a DMA in Choral Conducting from the University of Washington. He founded the acclaimed COS Vocal Jazz Ensemble at College of the Siskiyous and went on to direct similar programs at Colorado State University and the University of Missouri at Kansas City before establishing the Jefferson State Choral Coalition at Southern Oregon University.

With over 2,500 choral arrangements and compositions in print and nearly 20 million copies sold worldwide, Shaw's catalog reflects both his technical mastery and his gift for making music accessible and joyful. His work has earned multiple ASCAP awards, and his creative reach extends beyond the page—he has collaborated with legendary jazz vocalists including Bobby McFerrin, Al Jarreau, and Jon Hendricks, co-founded the a cappella ensemble Just 4 Kicks, and co-written an original musical adaptation of A Christmas Carol. His teaching style blends humor with deep musical knowledge, qualities evident in every arrangement he creates.

Why we love this

Shaw's gift for medley construction shines here: he weaves four Rodgers and Hart standards into a cohesive eight-minute arc that feels like a carefully curated journey rather than a song collection. The arrangement balances sophisticated harmonic writing with accessibility, giving both your singers and your audience moments of genuine delight. This is the kind of piece that reminds audiences why the American songbook endures, while your choir gets to showcase blend, phrasing, and the joy of singing together.

What to expect

Elegant and warmhearted, with the shine of classic American song running through every phrase. The medley captures that golden-age charm of Rodgers and Hart while remaining present and vital; it feels like an evening at a cabaret where every song tells its own small story, yet somehow they all belong together.

Who it's for

Directors programming pops concerts, holiday shows, or spring concerts who want substantial musical content that also brings genuine lightness and audience connection. This medley works equally well for intermediate to advanced high school choirs and community college ensembles seeking crowd-pleasing material that doesn't sacrifice musicianship.

How to get the most out of it

  • Balance the melody line carefully across the choir; these iconic songs deserve clarity. If you have instrumental accompaniment available, let it shoulder some of the harmonic weight so voices can focus on clean vowels and lyrical phrasing.
  • Treat each song's character distinctly within the medley. 'Falling in Love with Love' asks for crisp articulation and rhythmic precision; 'My Funny Valentine' needs legit, supported legato singing. The transitions between these moods matter as much as the songs themselves.
  • Use the recorded accompaniment to establish tempos and ensure ensemble confidence, especially in the modulations between songs. Your singers will lock in faster if they hear how the flow is supposed to feel.

How to use it

Place this in the second half of a concert to shift the mood after heavier repertoire, or open a pops program with it to immediately establish a sophisticated, accessible tone. Its eight-minute duration also makes it an excellent anchor for a thematic set exploring American musical theater standards.

Skills your students will build

  • Legato phrasing across extended phrases
  • Managing tempo changes and modulations between song sections
  • Balancing melody and harmonic support within a four-part texture
  • Stylistic control of American vocal jazz idioms
  • Ensemble blend while maintaining clear diction in familiar material

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