Improve Your Sight-Singing! Grades 1-3 Cover Image

Improve Your Sight-Singing! Grades 1-3: Solo Voice Book

$13.99 USD
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Improve Your Sight-Singing! Grades 1-3 Cover Image

Improve Your Sight-Singing! Grades 1-3: Solo Voice Book

By Paul Harris

Level: Beginner

Item: 12-0571539475

$13.99
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Description
Firmly rooted in Paul Harris' Simultaneous Learning approach, this new edition of Improve Your Sight-Singing! Grades 1-3 is designed to help overcome all the stumbling blocks to successful sight-singing. Step by step you will build up a complete picture of each piece, firstly through rhythmic, melodic, and technical exercises, then by making connections to your wider music-making, studying prepared pieces, and finally "going solo" with a series of meticulously graded sight-singing pieces. These editions of the best selling Improve Your Sight-Singing! series have been simplified into two (midrange) volumes, making them suitable for instrumentalists who wish to improve their singing as well as for singers preparing for sight-singing in vocal exams. The books feature over 100 completely new practice exercises throughout and have been brought up to date to match the latest ABRSM sight-singing criteria.

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Additional Details
Series: Faber Edition: Improve Your Sight-Reading
Publisher: Faber Music
ISBN10: 0-571-53947-5
ISBN13: 978-0-571-53947-5
UPC: 9780571539475
SKU: 12-0571539475

More about this title

About the Composer: Paul Harris

Paul Harris

Paul Harris trained at the Royal Academy of Music and University of London, then built a worldwide teaching reputation grounded in systematic pedagogy. His catalog exceeds 500 publications, most notably the Improve Your Sight-Reading and Improve Your Teaching series, all published by Faber Music.

Harris developed Simultaneous Learning, a method that integrates technical skill-building with musical understanding and has gained recognition across multiple continents. His approach combines rigor with creativity, always anchored in what actually works in the studio and classroom. He remains active as a workshop leader and writes regularly on music education for international publications.

Why we love this

Harris has rebuilt this foundational series to match current ABRSM standards while keeping the pedagogical architecture that made the original so effective. Over 100 new exercises mean you're working with contemporary material, and the two-volume split makes the beginner path feel achievable rather than overwhelming. The method respects the intelligence of your students by building each piece methodically before asking them to perform independently.

What to expect

Structured but never rigid. You move through deliberate stages of understanding, each one building on the last, so the jump from exercise to solo piece doesn't feel like a leap into the unknown.

Who it's for

Solo singers preparing for ABRSM exams, instrumentalists wanting to develop stronger vocal literacy, and voice teachers building sight-singing from the ground up. Anyone serious about reading music fluently will find the systematic progression here genuinely useful.

How to get the most out of it

  • Work through the rhythmic and melodic exercises before attempting the full piece; they're not supplementary but foundational to understanding what comes next
  • Return to the prepared pieces between sight-singing attempts; they anchor the vocabulary you'll need for the graded exercises
  • Track which intervals or rhythmic patterns trip up your students most, then isolate those in short daily practice rather than grinding through entire exercises

How to use it

Assign this as the primary sight-singing resource in your voice studio or choral rehearsals, working through one section per week. The new exam alignment means students can use it directly to prepare for formal assessments while building habits that transfer everywhere they sing.

Skills your students will build

  • Reading unaccompanied melodies with confidence
  • Recognizing and executing interval patterns
  • Decoding rhythm notation in multiple meters
  • Connecting prepared pieces to unfamiliar sight-singing material
  • Sustaining pitch accuracy without instrumental support

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